1 00:00:17,060 --> 00:00:20,030 HEY, WHEN SHE GETS OFF, GET HER A DRINK ON ME. 2 00:00:20,060 --> 00:00:21,520 COME ON, BUDDY. 3 00:00:21,560 --> 00:00:23,960 I HEAR 10 DAYS STRAIGHT YOU'RE BUYING HER A DRINK. 4 00:00:24,000 --> 00:00:26,870 WHY DON'T YOU CHECK OUT SOME OF THE OTHER GIRLS? 5 00:00:26,900 --> 00:00:28,330 Man: WHOO! 6 00:00:30,840 --> 00:00:32,310 WHAT ARE YOU DRINKING? 7 00:00:32,340 --> 00:00:34,780 UH, BEER. 8 00:00:34,810 --> 00:00:36,450 HEY, SEE THIS GUY? 9 00:00:36,470 --> 00:00:37,870 MAKE SURE HE GETS WHATEVER HE WANTS, ALL RIGHT? 10 00:00:37,910 --> 00:00:39,780 GOT IT, BOSS. 11 00:00:39,810 --> 00:00:41,640 PETEY. HAVE HIM WORKING DOUBLE SHIFTS. 12 00:00:41,680 --> 00:00:43,310 NOT OUR REGULAR NIGHT BAR MAN. 13 00:00:43,350 --> 00:00:45,060 NO, I GUESS HE GOT THE NIGHT OFF. 14 00:00:45,080 --> 00:00:47,280 I GUESS HE GOT LIFE OFF. 15 00:00:52,290 --> 00:00:54,720 THIS IS MY PARTNER ED GERBER. 16 00:00:54,760 --> 00:00:56,390 ED, THIS IS DETECTIVE SORENSON. 17 00:00:56,430 --> 00:00:59,100 OH, IT'S GOOD TO MEET YOU, DETECTIVE. 18 00:00:59,130 --> 00:01:00,460 YEAH, YOU, TOO, ED. 19 00:01:00,500 --> 00:01:01,830 LISTEN, I DON'T KNOW WHAT JOEY TOLD YOU, 20 00:01:01,870 --> 00:01:04,280 BUT WE GOT A RESPECTABLE PLACE HERE. 21 00:01:04,300 --> 00:01:06,330 WE DON'T WANT ANY KIND OF TROUBLE. 22 00:01:11,610 --> 00:01:13,580 BEAUTIFUL GIRL. 23 00:01:13,610 --> 00:01:15,610 YEAH. 24 00:01:15,650 --> 00:01:18,120 Man: LET'S GIVE IT UP FOR THE LOVELY KRISTEN. 25 00:01:18,150 --> 00:01:19,450 [ WHISTLING ] 26 00:01:19,480 --> 00:01:20,750 IT'S GOOD TO SEE 27 00:01:20,790 --> 00:01:22,490 SOMEBODY KEEPING AN EYE OUT FOR HER. 28 00:01:22,520 --> 00:01:24,420 YOU COME BACK HERE ANYTIME YOU WANT, 29 00:01:24,460 --> 00:01:26,930 AND YOU KEEP YOUR MONEY IN YOUR POCKET, ALL RIGHT? 30 00:01:26,960 --> 00:01:29,190 HAVE FUN, HUH? GOD BLESS. 31 00:01:29,230 --> 00:01:31,200 Danny: YEAH, THANKS, FELLAS. 32 00:01:37,140 --> 00:01:40,110 DETECTIVE SORENSON, I'M GLAD YOU MADE IT. 33 00:01:40,140 --> 00:01:41,600 KRISTEN, HI. CALL ME DANNY. 34 00:01:41,640 --> 00:01:44,870 OKAY, DANNY. HOW'D YOU LIKE IT ‐‐ MY ROUTINE? 35 00:01:44,910 --> 00:01:46,440 OH, IT'S GOOD. 36 00:01:46,480 --> 00:01:48,790 IF THAT WAS ME UP THERE, I'D BE EXHAUSTED. 37 00:01:48,810 --> 00:01:51,780 NO, IT'S A TOTAL RUSH. 38 00:01:51,820 --> 00:01:53,120 CAN I BUY YOU A DRINK? 39 00:01:53,150 --> 00:01:55,350 ACTUALLY, I'M THROUGH FOR THE NIGHT. 40 00:01:55,390 --> 00:01:57,800 YOU WANT TO GO SOMEPLACE ELSE? 41 00:01:57,820 --> 00:02:00,160 SURE. YOU WANT TO GET SOMETHING TO EAT? 42 00:02:00,190 --> 00:02:02,620 OKAY. I'LL JUST THROW ON SOME CLOTHES. 43 00:02:02,660 --> 00:02:04,660 I'LL BE, LIKE, ONE MINUTE. 44 00:02:06,600 --> 00:02:10,470 SO, WHO THE HELL ARE YOU? 45 00:02:10,500 --> 00:02:11,730 WHY? 46 00:02:11,770 --> 00:02:13,740 BOUGHT THAT BROAD A DRINK EVERY NIGHT. 47 00:02:13,770 --> 00:02:15,300 SHE'S NOT LEAVING WITH ME. 48 00:02:15,340 --> 00:02:16,870 SO IT'S NONE OF YOUR BUSINESS. 49 00:02:16,910 --> 00:02:18,670 YOU DON'T GOT TO BE AN ASSHOLE ABOUT IT. 50 00:02:18,710 --> 00:02:20,010 I'M JUST ASKING A QUESTION. 51 00:02:20,040 --> 00:02:22,540 AND I SAID THAT'S NONE OF YOUR BUSINESS. 52 00:02:22,580 --> 00:02:25,650 LOOK, UH, SHE'S DONE FOR THE NIGHT. 53 00:02:25,680 --> 00:02:27,150 MAYBE IT'S TIME YOU WENT HOME. 54 00:02:27,190 --> 00:02:29,230 YOU SAYING I'M 86'd? 55 00:02:29,250 --> 00:02:31,120 HE'S JUST SAYING TAKE IT EASY. 56 00:02:33,930 --> 00:02:35,930 YOU READY TO GO? 57 00:02:35,960 --> 00:02:37,530 YEAH, SURE. 58 00:02:37,560 --> 00:02:39,760 YEAH. HAVE A NICE EVENING. 59 00:02:39,800 --> 00:02:42,960 DON'T WORRY ABOUT HIM. 60 00:03:58,880 --> 00:04:00,820 [ DISHES CLATTER ] 61 00:04:07,820 --> 00:04:10,150 OH, MY GOD. I AM SO SORRY. 62 00:04:10,190 --> 00:04:12,090 I WANTED TO SURPRISE YOU WITH BREAKFAST. 63 00:04:12,120 --> 00:04:15,020 OH, WELL, YOU DEFINITELY SURPRISED ME. 64 00:04:15,060 --> 00:04:16,160 HEAD HURT? 65 00:04:16,190 --> 00:04:19,190 YEAH, I DRANK A FEW PAST MY AVERAGE. 66 00:04:19,230 --> 00:04:20,960 DIDN'T SLOW YOU DOWN. 67 00:04:22,700 --> 00:04:24,670 I AM A TERRIBLE COOK, BUT I POPPED UP 68 00:04:24,700 --> 00:04:26,600 WITH THIS DESIRE TO BE DOMESTIC. 69 00:04:26,640 --> 00:04:27,940 YOU WANT EGGS? 70 00:04:27,970 --> 00:04:29,770 SON OF A BITCH. 71 00:04:29,810 --> 00:04:32,440 UM, NO, I'M TOO LATE FOR EGGS. 72 00:04:32,480 --> 00:04:34,790 HOW ABOUT SOME CEREAL? 73 00:04:34,810 --> 00:04:36,950 YOU GOT SOME CHEERIOS, 74 00:04:36,980 --> 00:04:38,610 BUT I USED THE LAST OF THE SUGAR ON MINE. 75 00:04:38,650 --> 00:04:40,780 I REALLY DON'T HAVE TIME FOR ANYTHING. 76 00:04:40,820 --> 00:04:43,120 YOU SEEN MY CELL? 77 00:04:43,150 --> 00:04:46,290 AH, THANKS. YEAH, THEY'VE BEEN PAGING ME. 78 00:04:46,320 --> 00:04:47,460 I BETTER RUN. 79 00:04:47,490 --> 00:04:49,690 COME TO LUNCH AT THE CLUB? 80 00:04:49,730 --> 00:04:52,530 MY PARTNER ‐‐ HE WOULDN'T GO FOR IT. 81 00:04:52,560 --> 00:04:55,760 YOU ARE GOING TO MAKE ME MISS YOU ALL DAY. 82 00:04:59,440 --> 00:05:03,510 YOU KNOW, I'LL SEE IF I CAN'T SHAKE FREE, OKAY? 83 00:05:03,540 --> 00:05:05,070 I'LL BE WAITING. 84 00:05:07,450 --> 00:05:10,490 CAN I STICK AROUND AND WATCH SOME CABLE? 85 00:05:10,510 --> 00:05:12,680 UM, YEAH, SURE. NO PROBLEM. 86 00:05:12,720 --> 00:05:15,460 HERE. 87 00:05:16,790 --> 00:05:18,750 JUST, UH, YOU KNOW, LEAVE THE KEY 88 00:05:18,790 --> 00:05:20,260 UP ON THE TRANSOM. 89 00:05:20,290 --> 00:05:21,990 WHEN YOU COME IN, JOEY AND ED WANT TO TALK. 90 00:05:22,030 --> 00:05:23,100 THEY DIDN'T SAY WHAT ABOUT. 91 00:05:23,130 --> 00:05:25,340 YEAH, OKAY. 92 00:05:25,360 --> 00:05:27,430 Regis on TV: LISTEN TO ME. 93 00:05:27,470 --> 00:05:30,910 LOOK BEHIND THAT LITTLE WALL BACK THERE. 94 00:05:43,150 --> 00:05:45,790 EXCUSE ME. 95 00:05:47,950 --> 00:05:50,450 HEY. 96 00:05:50,490 --> 00:05:52,590 PAGER BATTERY DIED. WHAT DO WE GOT? 97 00:05:52,620 --> 00:05:55,420 TWO DOPE DEALERS WHACKED. 98 00:05:55,460 --> 00:05:57,430 AQUELINO ESTRADA ‐‐ TOOK TWO SLUGS 99 00:05:57,460 --> 00:05:59,960 IN THE APARTMENT UPSTAIRS, DRAGGED HIMSELF DOWN. 100 00:06:00,000 --> 00:06:02,430 ANOTHER UNIDENTIFIED MALE STILL IN THE PLACE, 101 00:06:02,470 --> 00:06:04,740 SHOT FOUR TIMES, SMALL CALIBER, 102 00:06:04,770 --> 00:06:06,130 BEDROOM'S RANSACKED. 103 00:06:06,170 --> 00:06:07,470 ALL RIGHT, I'LL GET ON THE CANVASS. 104 00:06:07,510 --> 00:06:10,380 APPRECIATE THE HELP. ANDY, THE BATTERY DIED. 105 00:06:10,410 --> 00:06:13,040 THAT EXPLAINS THE BOURBON STINK ON YOUR BREATH? 106 00:06:13,080 --> 00:06:15,450 IT'S SCOTCH, ON ACCOUNT OF A BUDDY GOT ENGAGED, 107 00:06:15,480 --> 00:06:16,950 SO WE HAD A FEW DRINKS. 108 00:06:16,980 --> 00:06:18,910 THAT KIND OF STINK COMES FROM MORE THAN JUST A FEW. 109 00:06:18,950 --> 00:06:21,280 CAN I GO TALK TO THIS DOPE PEDDLER NOW? 110 00:06:23,490 --> 00:06:25,960 THANKS. HEY, WHAT'S YOUR NAME? 111 00:06:25,990 --> 00:06:28,120 PACO. YOU OUT HERE THIS MORNING? 112 00:06:28,160 --> 00:06:29,990 CAN'T HELP YOU, LADY. DON'T MAKE A SCENE. 113 00:06:30,030 --> 00:06:33,230 KNOW WHAT I'M SAYING? I GOT TO TELL YOU SOMETHING. 114 00:06:33,260 --> 00:06:34,400 NO, I GOT NOTHING. WHAT'D YOU JUST SAY? 115 00:06:34,430 --> 00:06:35,760 JUST SAID CHILL, BABY. 116 00:06:35,800 --> 00:06:38,570 NO, YOU TALK TO YOUR SISTER THAT WAY, NOT TO ME! 117 00:06:38,600 --> 00:06:40,140 Danny: WHAT'S THE PROBLEM? 118 00:06:40,170 --> 00:06:42,140 WISE GUY'S GOT A RESPECT PROBLEM. 119 00:06:42,170 --> 00:06:43,170 HE'S GOING IN. 120 00:06:43,210 --> 00:06:44,520 WE'LL TALK IT OUT AT THE HOUSE. 121 00:06:44,540 --> 00:06:45,810 DON'T BE A JERK! 122 00:06:45,840 --> 00:06:48,610 WHAT'S GOING ON? HE'S LOOKING TO TALK. 123 00:06:48,650 --> 00:06:50,760 ALL RIGHT, I'LL MEET YOU BACK AT THE HOUSE? 124 00:06:50,780 --> 00:06:52,080 YOU ALL RIGHT TO DRIVE? 125 00:06:52,120 --> 00:06:54,260 HEY, YOU KNOW, ANDY, THERE'S BREAKING BALLS, 126 00:06:54,290 --> 00:06:55,960 AND THEN THERE'S ENOUGH ALREADY. 127 00:06:55,990 --> 00:06:57,100 MAYBE I'M BEING SERIOUS. 128 00:06:57,120 --> 00:06:59,090 FINE, BUT TODAY LET'S INSTITUTE 129 00:06:59,120 --> 00:07:00,660 THE 13th STEP IN THE A. A. LADDER. 130 00:07:00,690 --> 00:07:03,730 HOW ABOUT CUTTING ME SOME SLACK? 131 00:07:18,980 --> 00:07:21,490 HEY, STOW HIM IN THREE. 132 00:07:21,510 --> 00:07:22,980 YOU GOT IT. 133 00:07:28,320 --> 00:07:30,290 YOU PARTIAL TO THAT DESK, 134 00:07:30,320 --> 00:07:32,290 OR WOULD YOU RATHER WORK HERE? 135 00:07:32,320 --> 00:07:33,990 SHE'S ONLY GONE A WEEK. 136 00:07:34,030 --> 00:07:36,500 I TALKED TO THE BOSS, AND THE OTHERS WON'T MIND. 137 00:07:36,530 --> 00:07:39,040 WE'RE WORKING CASES TOGETHER. YOU MIGHT AS WELL. 138 00:07:39,060 --> 00:07:41,400 SURE, THEN. 139 00:07:41,430 --> 00:07:43,230 I'LL REV FOR THE BOSS. 140 00:07:43,270 --> 00:07:45,910 YOU MIGHT WANT TO FIND A MINT. 141 00:07:49,510 --> 00:07:52,050 MEDAVOY, JONES, 142 00:07:52,080 --> 00:07:54,890 D.O.A. IN APARTMENT, 939 6th STREET. 143 00:07:54,910 --> 00:07:57,210 I'VE BEEN THERE BEFORE ‐‐ BIG DOPE BUILDING. 144 00:07:57,250 --> 00:07:59,650 SURVIVING FEMALE WAS REMOVED TO BELLEVUE. 145 00:07:59,680 --> 00:08:02,080 WASN'T YOU ALWAYS NEAR AVENUE C, ANDY? 146 00:08:02,120 --> 00:08:03,150 OFF 7th STREET, NEAR 8th. 147 00:08:03,190 --> 00:08:04,430 AS SOON AS YOU CAN, 148 00:08:04,460 --> 00:08:06,600 LET ME KNOW ARE THEY CONNECTED. 149 00:08:13,700 --> 00:08:15,830 SO WE'RE NOT YELLING OVER THE SQUAD. 150 00:08:15,870 --> 00:08:17,810 YEAH, GOOD. 151 00:08:19,800 --> 00:08:21,300 [ KNOCK ON DOOR ] 152 00:08:23,780 --> 00:08:25,920 SO, WHAT DO YOU GOT FOR US, PACO? 153 00:08:25,940 --> 00:08:27,740 OFF THE BAT, I WANT TO SAY 154 00:08:27,780 --> 00:08:30,280 I'M NOT THE TYPE WHO TALKS TO THE POLICE, 155 00:08:30,310 --> 00:08:33,550 AND WHATEVER I SAY, DO WHAT YOU WANT WITH IT, 156 00:08:33,590 --> 00:08:34,930 BUT I AIN'T TESTIFYING FOR NOTHING. 157 00:08:34,950 --> 00:08:36,380 ALL RIGHT, THANKS FOR SETTING THAT STRAIGHT. 158 00:08:36,420 --> 00:08:37,550 YOU ON THE STREET THIS MORNING? 159 00:08:37,590 --> 00:08:39,890 DOING MY JOB, KEEPING MY BABY FED. 160 00:08:39,920 --> 00:08:42,120 SEE TWO WHITE JERSEY KIDS ROLL UP 161 00:08:42,160 --> 00:08:43,860 AND HEAD UP TO AQUELINO'S. 162 00:08:43,900 --> 00:08:45,240 YOU'RE ON THE STREET. 163 00:08:45,260 --> 00:08:47,260 HOW DO YOU KNOW THEY'RE GOING TO AQUELINO'S? 164 00:08:47,300 --> 00:08:49,570 ONE OF THEM USED TO BE A STEADY CUSTOMER. 165 00:08:49,600 --> 00:08:51,230 THESE WHITIES AREN'T INSIDE FIVE MINUTES, 166 00:08:51,270 --> 00:08:54,200 AND THEN BANG, BANG, BANG, AND THEY BOOK OUT AND SPLIT. 167 00:08:54,240 --> 00:08:55,700 GET A PLATE? THERE WASN'T NO PLATE. GREEN MAVERICK, 168 00:08:55,740 --> 00:08:58,210 BANGED UP TAIL END. BUT YOU COULD PICK THEM OUT? 169 00:08:58,240 --> 00:09:00,480 UNOFFICIALLY, BRO, 'CAUSE LIKE I SAID, I AIN'T TESTIFYING. 170 00:09:00,510 --> 00:09:02,640 WHO'S THE FORMER CUSTOMER? 171 00:09:02,680 --> 00:09:04,210 GOES BY BENJI, LIKE THE DOG. 172 00:09:04,250 --> 00:09:06,210 WHY FORMER? THEY HAVE A FALLING OUT? 173 00:09:06,250 --> 00:09:08,750 THIS BENJI USED TO COME WITH ANOTHER WHITE DUDE, 174 00:09:08,790 --> 00:09:11,100 MICHAEL TIMMONS, AND THIS BLONDE PIECE OF ASS 175 00:09:11,120 --> 00:09:13,760 SO FINE YOU'D CRAWL OVER GLASS TO DRINK OUT HER TOILET. 176 00:09:13,790 --> 00:09:15,160 ABOUT THREE MONTHS AGO, 177 00:09:15,190 --> 00:09:16,460 THEY STOPPED COMING, 178 00:09:16,490 --> 00:09:18,560 AQUI SAID ON ACCOUNT OF MICHAEL 179 00:09:18,600 --> 00:09:19,770 TOOK HIMSELF OUT. 180 00:09:19,800 --> 00:09:21,330 THIS HAPPENED IN JERSEY? 181 00:09:21,370 --> 00:09:23,510 I GUESS SO. YOU EVER DEAL TO THESE THREE? 182 00:09:23,530 --> 00:09:25,300 WHEN AQUI WASN'T HOLDING. 183 00:09:25,340 --> 00:09:26,610 THEY EVER BEAT YOU FOR PAYMENT, 184 00:09:26,640 --> 00:09:28,470 PISS YOU OFF IN ANY WAY? 185 00:09:28,510 --> 00:09:30,480 THINK I'M IN HERE, LOOKING TO GET OVER ON BENJI? 186 00:09:30,510 --> 00:09:31,910 I DON'T NEED YOU FOR THAT. 187 00:09:31,940 --> 00:09:34,010 SO YOU'RE JUST BEING A GOOD CITIZEN. 188 00:09:34,050 --> 00:09:36,020 I DON'T LIKE RUNNY‐NOSED WHITE KIDS 189 00:09:36,050 --> 00:09:38,260 ROLLING OVER THE BRIDGE, THINKING THEY CAN 190 00:09:38,280 --> 00:09:41,020 WHACK US LIKE ANIMALS! CAN I SPLIT NOW? 191 00:09:41,050 --> 00:09:42,420 AHEM. YEAH. 192 00:09:42,450 --> 00:09:44,120 GIVE US YOUR PAGER NUMBER 193 00:09:44,160 --> 00:09:45,860 AND KEEP YOURSELF AVAILABLE. 194 00:09:53,870 --> 00:09:55,610 Man: SHE'S IN HERE. 195 00:09:55,630 --> 00:09:59,940 Woman over P. A.: DR. KELLY TO O. R. DR. KELLY TO O. R. 196 00:09:59,970 --> 00:10:02,600 HOW YOU DOING, MRS. CHILDS? I'M DETECTIVE MEDAVOY. 197 00:10:02,640 --> 00:10:03,840 THIS IS DETECTIVE JONES. 198 00:10:03,880 --> 00:10:05,120 IF YOU'RE UP TO IT, 199 00:10:05,140 --> 00:10:07,180 WE'D LIKE TO ASK YOU SOME QUESTIONS. 200 00:10:07,210 --> 00:10:10,510 I'LL TRY. THEY GAVE ME SOMETHING FOR MY PAIN. 201 00:10:10,550 --> 00:10:12,350 CAN YOU TELL US WHAT HAPPENED 202 00:10:12,380 --> 00:10:13,980 AT YOUR APARTMENT THIS MORNING? 203 00:10:14,020 --> 00:10:15,780 A MAN CAME IN THROUGH THE SKYLIGHT, 204 00:10:15,820 --> 00:10:20,360 HAD A GUN, KEPT ASKING FOR DRUGS. 205 00:10:20,390 --> 00:10:21,790 WHAT DID YOU TELL HIM? 206 00:10:21,830 --> 00:10:24,300 WE DIDN'T KNOW WHAT HE WAS TALKING ABOUT. 207 00:10:24,330 --> 00:10:25,960 THEN HE ASKED FOR MONEY. 208 00:10:26,000 --> 00:10:29,410 WE GAVE HIM WHAT WE HAD, BUT HE THOUGHT WE HAD MORE. 209 00:10:29,430 --> 00:10:31,000 HE THOUGHT WE WERE DRUG DEALERS. 210 00:10:31,040 --> 00:10:33,510 WHAT HAPPENED AFTER YOU GAVE HIM THE MONEY? 211 00:10:33,540 --> 00:10:35,010 PATRICK WAS TIED UP, 212 00:10:35,040 --> 00:10:39,440 AND THEN HE SHOT HIM RIGHT IN THE HEAD. 213 00:10:40,950 --> 00:10:43,920 THEN HE PUT THE GUN TO MY HEAD STILL HOT, 214 00:10:43,950 --> 00:10:47,580 AND HE SAID, "GIVE IT UP," 215 00:10:47,620 --> 00:10:51,220 BUT I COULDN'T, SO HE BEAT ME, 216 00:10:51,260 --> 00:10:55,700 AND HE PUT HIS CIGARETTE OUT ON MY ARM. 217 00:10:55,730 --> 00:10:57,740 HAVE YOU EVER SEEN THIS MAN BEFORE? 218 00:10:57,760 --> 00:10:59,700 NO. 219 00:10:59,730 --> 00:11:01,230 DID YOUR HUSBAND GIVE ANY INDICATION 220 00:11:01,270 --> 00:11:03,170 THE MAN WAS FAMILIAR? 221 00:11:03,200 --> 00:11:04,430 NO. 222 00:11:04,470 --> 00:11:06,430 MRS. CHILDS, HAVE YOU OR YOUR HUSBAND 223 00:11:06,470 --> 00:11:09,500 EVER BEEN ARRESTED FOR A DRUG OFFENSE? 224 00:11:09,540 --> 00:11:11,110 [ SIGHS ] 225 00:11:13,140 --> 00:11:14,610 I DON'T UNDERSTAND 226 00:11:14,650 --> 00:11:16,350 WHAT THAT HAS TO DO WITH ANYTHING. 227 00:11:16,380 --> 00:11:18,080 WE'RE SENSITIVE TO THE FACT 228 00:11:18,120 --> 00:11:20,260 THAT YOU'RE VERY TRAUMATIZED, MA'AM, 229 00:11:20,280 --> 00:11:23,180 BUT IF YOU OR YOUR HUSBAND WERE INVOLVED 230 00:11:23,220 --> 00:11:25,590 IN A DRUG TRANSACTION THAT WENT BAD, 231 00:11:25,620 --> 00:11:28,590 WE NEED TO KNOW SO WE CAN PURSUE THE CASE PROPERLY. 232 00:11:28,630 --> 00:11:32,770 MY HUSBAND IS GOING TO BE A CIVIL ENGINEER. 233 00:11:32,800 --> 00:11:36,440 WE MET AT ALBANY STATE 234 00:11:36,470 --> 00:11:38,480 BY THE FOUNTAIN. 235 00:11:38,500 --> 00:11:42,040 HE'S HELPING ME THROUGH NURSING SCHOOL AT NYU. 236 00:11:42,070 --> 00:11:43,940 HE WAS SHOT IN THE HEAD. 237 00:11:43,980 --> 00:11:45,620 WE UNDERSTAND, MA'AM ‐‐ 238 00:11:45,640 --> 00:11:47,940 THAT MAN PUT A GUN IN MY MOUTH. 239 00:11:47,980 --> 00:11:53,280 HE WAS BEATING ME AND PUT A GUN IN MY MOUTH! 240 00:11:56,790 --> 00:12:01,590 THE ANSWER IS NO. 241 00:12:17,440 --> 00:12:18,770 WHO'S THAT? 242 00:12:18,810 --> 00:12:19,910 BENJAMIN NEWHOUSE. 243 00:12:19,940 --> 00:12:21,310 I TRACED HIM OFF A POSSESSION COLLAR 244 00:12:21,350 --> 00:12:23,250 HE TOOK WITH THE SUICIDE KID FROM JERSEY. 245 00:12:23,280 --> 00:12:25,310 CAME UP WITH A MANHATTAN ADDRESS. 246 00:12:25,350 --> 00:12:26,920 YEAH, GOOD CHANCE HE'S WHO PACO SAW 247 00:12:26,950 --> 00:12:28,680 BOOK OUT THE D. O. A.'s BUILDING. 248 00:12:28,720 --> 00:12:29,990 YOU GIVE PACO A LOOK AT HIM? 249 00:12:30,020 --> 00:12:31,490 WE PAGED HIM. HE'S ON HIS WAY IN. 250 00:12:31,520 --> 00:12:33,490 RUN SIMILARITIES WITH THESE GUYS? 251 00:12:33,520 --> 00:12:34,790 Danny: WHAT'D YOU GET? 252 00:12:34,830 --> 00:12:37,540 MALE, LATE 20s, TIED UP, SHOT THROUGH THE HEAD, 253 00:12:37,560 --> 00:12:38,530 FEMALE TORTURED. 254 00:12:38,560 --> 00:12:39,960 WAS HE SHOT WITH A .22? 255 00:12:40,000 --> 00:12:43,100 BIG HOLE IN THE GUY, AND WE FOUND A 380 SHELL. 256 00:12:43,130 --> 00:12:45,270 THE LANDLORD INDICATES DEALING MIGHT BE IN THE PAST TENSE. 257 00:12:45,300 --> 00:12:47,270 PLACE WAS BOUGHT THREE MONTHS AGO. 258 00:12:47,310 --> 00:12:48,980 THERE'S BEEN A LOT OF REFURBISHMENT. 259 00:12:49,010 --> 00:12:51,120 WHAT KIND OF HIT DID YOU GET FROM THE WOMAN IN THE HOSPITAL? 260 00:12:51,140 --> 00:12:52,510 SHE SEEMS STAND‐UP. 261 00:12:52,540 --> 00:12:54,480 IT'S POSSIBLE SOMEONE BROKE INTO THE WRONG APARTMENT. 262 00:12:54,510 --> 00:12:55,880 YEAH, OR IT WAS THE RIGHT APARTMENT, 263 00:12:55,910 --> 00:12:57,180 AND WHOEVER THEY WERE LOOKING FOR 264 00:12:57,220 --> 00:12:58,320 DIDN'T LIVE THERE ANYMORE. 265 00:12:58,350 --> 00:13:00,780 LANDLORD'S WORKING ON A LIST OF PREVIOUS TENANTS. 266 00:13:00,820 --> 00:13:03,220 John: DETECTIVE SIPOWICZ? 267 00:13:03,250 --> 00:13:04,520 Andy: EXCUSE ME. 268 00:13:07,890 --> 00:13:09,630 I'M SORRY TO SHOW UP OUT OF THE BLUE. 269 00:13:09,660 --> 00:13:11,060 EVERYTHING ALL RIGHT? THEO OKAY? 270 00:13:11,100 --> 00:13:13,070 EVERYTHING'S FINE. I JUST TOOK SOME INITIATIVE 271 00:13:13,100 --> 00:13:15,340 ON SOMETHING, AND WE NEED TO TALK ABOUT IT. 272 00:13:15,370 --> 00:13:17,510 TOOK INITIATIVE ON WHAT? WHAT ARE YOU TALKING ABOUT? 273 00:13:17,540 --> 00:13:19,980 CAN WE GO SOMEWHERE PRIVATE? 274 00:13:20,000 --> 00:13:23,340 UH, YEAH. 275 00:13:24,580 --> 00:13:27,420 I'LL, UH, I'LL SEE THAT PACO GETS A LOOK AT BENJI. 276 00:13:27,450 --> 00:13:30,420 I'LL BE PULLING OUT THE REST OF MY HAIR. 277 00:13:32,180 --> 00:13:34,180 I WENT OUT TODAY LOOKING FOR APARTMENTS, 278 00:13:34,220 --> 00:13:35,750 AND I SAW ONE ON 74th AND 2nd 279 00:13:35,790 --> 00:13:36,930 THAT I THINK IS PERFECT. 280 00:13:36,960 --> 00:13:39,160 AND HOW'D YOU TAKE INITIATIVE? 281 00:13:39,190 --> 00:13:42,260 ANDY, IT'S JUST A LITTLE MORE THAN YOU'RE PAYING NOW, 282 00:13:42,290 --> 00:13:44,430 BUT THREE BEDROOMS, TWO BATHROOMS, 283 00:13:44,460 --> 00:13:46,560 A LIVING ROOM WITH HIGH CEILINGS. 284 00:13:46,600 --> 00:13:48,030 IT'S FLOODED WITH LIGHT. 285 00:13:48,070 --> 00:13:49,880 DID YOU PUT DOWN A DEPOSIT? 286 00:13:49,900 --> 00:13:52,570 WELL, IF I HADN'T, ANOTHER COUPLE WOULD HAVE. 287 00:13:52,600 --> 00:13:54,340 KATIE, I SAID I HAD TO SEE THE PLACE FIRST. 288 00:13:54,370 --> 00:13:56,340 I'VE SAID IT 200 TIMES. 289 00:13:56,370 --> 00:13:59,070 AND YOU'VE SEEN 200 APARTMENTS AND SHOT DOWN EVERY ONE. 290 00:13:59,110 --> 00:14:00,240 ALL FOR GOOD REASONS. 291 00:14:00,280 --> 00:14:02,240 A FEW GOOD REASONS ‐‐ 292 00:14:02,280 --> 00:14:05,910 THE BATHROOM WAS TOO SMALL, THE KITCHEN WASN'T BRAND NEW. 293 00:14:05,950 --> 00:14:08,920 IT SEEMED LIKE THE PROCESS WAS BOGGED DOWN, 294 00:14:08,950 --> 00:14:10,890 SO I TOOK SOME INITIATIVE. 295 00:14:10,920 --> 00:14:13,420 THIS IS THE ADDRESS. 296 00:14:13,460 --> 00:14:17,200 THE AGENT IS JOSH SILVERMAN. 297 00:14:17,230 --> 00:14:19,860 HE'LL SHOW YOU THE APARTMENT WHENEVER YOU WANT. 298 00:14:19,900 --> 00:14:21,600 CALL ME, AND I'LL MEET YOU THERE. 299 00:14:21,630 --> 00:14:23,930 LOOK, I'M ALL TIED UP ON A CASE. 300 00:14:23,970 --> 00:14:26,300 WHENEVER YOU CAN, ANDY. 301 00:14:28,810 --> 00:14:30,880 IT'S PERFECT. 302 00:14:30,910 --> 00:14:32,410 MAYBE I COULD DO IT LATER. 303 00:14:32,440 --> 00:14:34,580 THANK YOU. 304 00:14:48,360 --> 00:14:50,760 YOU LOOK A LITTLE NERVOUS THERE, BENJI. 305 00:14:50,800 --> 00:14:52,170 SOMETHING ON YOUR MIND? 306 00:14:52,200 --> 00:14:54,670 I'M RACKING MY BRAINS TRYING TO FIGURE OUT 307 00:14:54,700 --> 00:14:56,000 WHAT I DID WRONG HERE. 308 00:14:56,030 --> 00:14:58,730 YOU ON 7th STREET NEAR AVENUE A THIS MORNING? 309 00:14:58,770 --> 00:14:59,770 THIS MORNING? 310 00:14:59,800 --> 00:15:01,600 BENJI, YOU FAMILIAR WITH THE TERM 311 00:15:01,640 --> 00:15:04,170 "DUMBER THAN A BAG OF HAMMERS"? 312 00:15:04,210 --> 00:15:06,410 I HAVEN'T HEARD THAT ONE. 313 00:15:06,440 --> 00:15:08,940 IN LIGHT OF A FEW FACTS THAT WE LEARNED RECENTLY, 314 00:15:08,980 --> 00:15:11,010 THAT'S EXACTLY HOW YOU'RE COMING ACROSS. 315 00:15:11,050 --> 00:15:13,450 BENJI, YOU KNOW WHAT A 2‐WAY MIRROR IS? 316 00:15:13,480 --> 00:15:15,580 IT'S SO FOLKS IN THERE CAN SEE YOU 317 00:15:15,620 --> 00:15:16,990 WITHOUT YOU SEEING THEM. 318 00:15:17,020 --> 00:15:19,660 YOU HEAR ANY RUSTLING BEHIND THAT 2‐WAY MIRROR 319 00:15:19,690 --> 00:15:20,760 A FEW MINUTES AGO? 320 00:15:20,790 --> 00:15:21,960 MAYBE. 321 00:15:21,990 --> 00:15:24,260 YOU KNOW A GUY NAMED AQUELINO ESTRADA? 322 00:15:24,300 --> 00:15:27,940 DON'T YOU HAVE ANOTHER "MAYBE" IN THERE FOR US? 323 00:15:27,970 --> 00:15:30,980 YOU SAYING THAT WAS AQUELINO BEHIND THE MIRROR? 324 00:15:31,000 --> 00:15:32,630 THE WAY HE PULLED THROUGH, 325 00:15:32,670 --> 00:15:34,500 THE DOCTORS WERE CALLING HIM "MIRACLE BOY," 326 00:15:34,540 --> 00:15:35,840 BUT, WOW, WAS HE PISSED. 327 00:15:35,870 --> 00:15:37,870 SO PISSED THAT WE THINK MAYBE SOME OF THE THINGS HE SAID 328 00:15:37,910 --> 00:15:39,640 MIGHT HAVE BEEN BLOWN OUT OF PROPORTION, 329 00:15:39,680 --> 00:15:41,180 LIKE THAT YOU DID ALL THE SHOOTING 330 00:15:41,210 --> 00:15:42,610 IN THE APARTMENT THIS MORNING. 331 00:15:42,650 --> 00:15:43,790 OR IS THAT TRUE? 332 00:15:43,820 --> 00:15:46,660 THAT'S NOT TRUE. THAT IS TOTALLY NOT TRUE. 333 00:15:46,690 --> 00:15:48,130 SO THE SHOOTER WAS YOUR RUNNING BUDDY. 334 00:15:48,150 --> 00:15:50,790 YOU WANT TO TALK ABOUT DUMBER THAN A PACK OF WRENCHES, 335 00:15:50,820 --> 00:15:51,820 YOU TALK TO HIM. 336 00:15:51,860 --> 00:15:53,800 WE NEED YOUR SIDE FIRST, BENJI. 337 00:15:53,830 --> 00:15:56,500 FIRST, YOUR INTENTIONS, THEN HOW IT WENT SOUR. 338 00:16:00,260 --> 00:16:03,570 WE WERE GOING TO RIP OFF AQUELINO FOR A STASH. 339 00:16:03,600 --> 00:16:05,900 YOU KNOW, JUST IN, OUT, BOOM. 340 00:16:05,940 --> 00:16:07,480 SO WE WENT UP THERE, 341 00:16:07,510 --> 00:16:09,310 AND WE SAID, "GIVE US THE STASH," 342 00:16:09,340 --> 00:16:11,310 AND THEN SOME OTHER GUY JUST APPEARED 343 00:16:11,340 --> 00:16:13,640 OUT OF THE BACK ROOM, AND JIM GOT SPOOKED 344 00:16:13,680 --> 00:16:15,180 AND STARTS POPPING OFF ROUNDS. 345 00:16:15,210 --> 00:16:17,150 IS IT TRUE WHAT AQUELINO SAID ‐‐ THAT AFTER THE SHOOTING, 346 00:16:17,180 --> 00:16:18,750 IT WAS YOU WHO SET TO TEARING UP HIS BEDROOM? 347 00:16:18,780 --> 00:16:21,720 JIM AGAIN. I DIDN'T EVEN KNOW WHERE THE STASH WAS. 348 00:16:21,750 --> 00:16:24,390 HOW DID JIM KNOW? HAD HE BEEN THERE BEFORE? 349 00:16:24,420 --> 00:16:27,220 COME ON, COME ON. WE WERE ROLLING HERE, BENJI. 350 00:16:27,260 --> 00:16:30,160 AT THIS POINT, I JUST WANT TO SAY 351 00:16:30,190 --> 00:16:33,430 THAT NOELLE HAD NOTHING TO DO WITH THIS. 352 00:16:33,460 --> 00:16:36,060 NOELLE WHO? 353 00:16:36,100 --> 00:16:37,870 NO, UNH‐UNH, UNH‐UNH. 354 00:16:37,900 --> 00:16:40,040 ALLS I'M DOING IS GIVING YOU HEADS UP 355 00:16:40,070 --> 00:16:42,840 ABOUT A LIE THAT JIM WILL TELL HOW SHE PLANNED THIS, 356 00:16:42,870 --> 00:16:44,710 AND SHE KNEW WHERE THE STASH WAS. 357 00:16:44,740 --> 00:16:45,840 JIM KNEW ON HIS OWN. 358 00:16:45,880 --> 00:16:47,950 HE FOUND OUT SOME WAY OTHER THAN NOELLE. 359 00:16:47,980 --> 00:16:49,080 IF YOU TELL US WHO NOELLE IS, 360 00:16:49,110 --> 00:16:50,510 WE CAN CLEAR HER LIKE YOU'RE SAYING, 361 00:16:50,550 --> 00:16:53,010 BUT WE CAN'T DO THAT UNLESS WE TALK TO HER. 362 00:16:53,050 --> 00:16:55,420 IF YOU WANT JIM'S LAST NAME, I'LL TELL YOU, 363 00:16:55,450 --> 00:16:57,620 BUT NOT IF WE KEEP TALKING ABOUT NOELLE. 364 00:16:57,660 --> 00:16:59,360 OKAY, NOELLE'S CLEAN. JIM WHO? 365 00:16:59,390 --> 00:17:00,420 FORDHAM. 366 00:17:00,460 --> 00:17:01,760 WRITE WHERE HE LIVES. 367 00:17:01,790 --> 00:17:04,390 JUST SO YOU KNOW, HE WON'T ANSWER HIS DOOR. 368 00:17:04,430 --> 00:17:06,390 HE'S GOT A WARRANT 369 00:17:06,430 --> 00:17:08,130 FOR HOPPING A TURNSTILE OR SOMETHING. 370 00:17:08,170 --> 00:17:10,410 WE'LL LURE HIM OUT WITH THE SCENT OF FREE DOPE. 371 00:17:10,430 --> 00:17:13,130 THAT'LL DO IT. 372 00:17:26,950 --> 00:17:28,750 HOW'S IT GOING, JONAS? 373 00:17:28,790 --> 00:17:30,560 DETECTIVES MEDAVOY AND JONES. 374 00:17:30,590 --> 00:17:33,250 LOOKS LIKE SOMEONE'S SPOILING YOUR VACATION. 375 00:17:33,290 --> 00:17:36,760 NOTHING I CAN'T HANDLE. WHAT YOU WANT? 376 00:17:36,800 --> 00:17:38,270 YOU EVER LIVED 377 00:17:38,300 --> 00:17:40,570 ON 939 6th STREET OFF AVENUE C? 378 00:17:40,600 --> 00:17:41,560 WHY? 379 00:17:41,600 --> 00:17:42,960 WE'RE CURIOUS IF YOU'D KNOW WHY 380 00:17:43,000 --> 00:17:44,770 SOMEONE WOULD BREAK INTO YOUR OLD APARTMENT 381 00:17:44,800 --> 00:17:45,930 AND TORTURE THE OCCUPANTS. 382 00:17:45,970 --> 00:17:47,800 MAYBE THEY DIDN'T LIKE THOSE OCCUPANTS. 383 00:17:47,840 --> 00:17:49,640 OR MAYBE THEY FIGURED THOSE OCCUPANTS 384 00:17:49,670 --> 00:17:50,740 WERE CONNECTED WITH YOU. 385 00:17:50,780 --> 00:17:52,450 DON'T KNOW NOTHING ABOUT IT. 386 00:17:52,480 --> 00:17:54,450 YOU DON'T HAVE A SINGLE ENEMY ON THE OUTSIDE? 387 00:17:54,480 --> 00:17:55,640 NONE I CAN THINK OF. 388 00:17:55,680 --> 00:17:58,110 WELL, THAT'S 'CAUSE THEY'RE ALL IN HERE, 389 00:17:58,150 --> 00:17:59,480 STOMPING ON YOUR FACE. 390 00:17:59,520 --> 00:18:01,460 MAN, THAT'S SOME BEATING YOU TOOK. 391 00:18:01,490 --> 00:18:03,760 WHAT'S UP? NOT GOOD WITH YOUR HANDS? 392 00:18:03,790 --> 00:18:05,650 OH, I'M DAMN GOOD WITH MY HANDS. 393 00:18:05,690 --> 00:18:07,490 THIS HERE IS A FIVE‐ON‐ONE SITUATION. 394 00:18:07,530 --> 00:18:10,040 TAKES A SMALL MAN TO PISS OFF A WHOLE GANG. 395 00:18:10,060 --> 00:18:12,160 THERE'S A GROUP OF FORMER ASSOCIATES IN HERE 396 00:18:12,200 --> 00:18:14,770 WHO DIDN'T LIKE THE WAY I DID BUSINESS ON THE OUTSIDE. 397 00:18:14,800 --> 00:18:16,460 THEY AIN'T NOTHING I CAN'T HANDLE. 398 00:18:16,500 --> 00:18:18,370 YOU GET A SMACK LIKE THAT EVERY DAY, 399 00:18:18,400 --> 00:18:19,840 THERE'S A REAL CHANCE FOR A BRAIN HEMORRHAGE. 400 00:18:19,870 --> 00:18:20,970 YEAH, THEY MIGHT NOT KILL YOU, 401 00:18:21,010 --> 00:18:22,980 BUT NO MATTER HOW TOUGH YOU ARE, 402 00:18:23,010 --> 00:18:24,650 ENOUGH BEATINGS, YOU'LL WALK OUT OF HERE 403 00:18:24,680 --> 00:18:25,980 MUMBLING LIKE A MENTAL PATIENT. 404 00:18:26,010 --> 00:18:28,210 IF YOU WANT IT TO STOP, WE CAN HELP, 405 00:18:28,250 --> 00:18:29,820 OR MAYBE YOU THINK IT'LL STOP ON ITS OWN, 406 00:18:29,850 --> 00:18:32,150 AND WE SHOULD GO ON OUR MERRY WAY. 407 00:18:32,180 --> 00:18:34,120 KNOWING DAMN WELL IT WON'T. 408 00:18:34,150 --> 00:18:36,180 GET ME SEGREGATION BY THIS AFTERNOON? 409 00:18:36,220 --> 00:18:37,820 NAME'S GOT TO PAN OUT. 410 00:18:39,820 --> 00:18:42,060 BYRON WADE. 411 00:18:42,090 --> 00:18:43,830 WHY HIM? 412 00:18:43,860 --> 00:18:45,560 HE'S A PSYCHO ‐‐ PURE PSYCHO, 413 00:18:45,600 --> 00:18:48,740 AND HE THINKS I BEAT HIM FOR SOME COKE, WHICH I DID NOT. 414 00:18:48,770 --> 00:18:50,340 WHERE CAN WE FIND HIM? 415 00:18:50,370 --> 00:18:52,370 FOUR OF CLUBS ON D. 416 00:18:52,400 --> 00:18:56,470 ALL RIGHT, NAME PANS OUT, YOU'RE IN SEGREGATION. 417 00:18:56,510 --> 00:18:59,620 MY MAN. 418 00:19:06,790 --> 00:19:10,000 BENJI TOLD YOU IT WAS A GREEN MAVERICK? 419 00:19:10,020 --> 00:19:12,420 GUY LUCKED OUT WITH PARKING. 420 00:19:12,460 --> 00:19:14,300 BUILDING'S RIGHT HERE. 421 00:19:21,800 --> 00:19:23,830 HEY. 422 00:19:23,870 --> 00:19:24,930 WE NEED YOUR HELP. 423 00:19:24,970 --> 00:19:26,270 I GOT SOMEPLACE TO BE. 424 00:19:26,300 --> 00:19:28,400 WHICH IS RIGHT HERE DOING YOUR CIVIC DUTY. 425 00:19:28,440 --> 00:19:30,870 WHY DON'T YOU PULL THE CAR FORWARD AND BACK OUT? 426 00:19:32,940 --> 00:19:34,410 NOW BACK IT UP. 427 00:19:34,450 --> 00:19:37,190 [ INTERCOM BUZZES ] 428 00:19:37,220 --> 00:19:40,760 Man: YEAH? WHAT? 429 00:19:40,790 --> 00:19:42,690 UM, JIM FORDHAM? NOT HERE. 430 00:19:42,720 --> 00:19:44,420 DO YOU KNOW WHERE HE IS? 431 00:19:44,460 --> 00:19:45,800 BECAUSE I JUST HIT A CAR BY ACCIDENT, 432 00:19:45,820 --> 00:19:47,420 AND A NEIGHBOR WALKED BY 433 00:19:47,460 --> 00:19:49,890 AND SAID THE CAR WAS JIM FORDHAM'S. 434 00:19:49,930 --> 00:19:51,430 OH, MAN. HANG ON. 435 00:19:58,340 --> 00:20:01,310 HI. ARE YOU JIM? 436 00:20:01,340 --> 00:20:03,640 SON OF A BITCH. WHAT'D YOU DO? 437 00:20:03,680 --> 00:20:07,290 I WAS TALKING ON MY CELL, AND THEN... 438 00:20:07,310 --> 00:20:09,950 I MEAN, I DON'T THINK IT'S THAT BAD, 439 00:20:09,980 --> 00:20:12,450 BUT, YOU KNOW, YOU BETTER COME DOWN. SORRY. 440 00:20:12,480 --> 00:20:14,980 ALL RIGHT, YOU DOPEY BROAD. 441 00:20:16,620 --> 00:20:17,750 HE INSULTED ME. 442 00:20:17,790 --> 00:20:18,950 HE'LL PAY. 443 00:20:24,600 --> 00:20:26,400 HI. 444 00:20:26,430 --> 00:20:27,660 WHAT THE ‐‐ 445 00:20:27,700 --> 00:20:29,260 POLICE, ASSHOLE, YOU'RE UNDER ARREST. 446 00:20:29,300 --> 00:20:30,430 WHAT DID I DO? 447 00:20:30,470 --> 00:20:32,930 FARE BEATING AND CALLING ME A DOPEY BROAD. 448 00:20:32,970 --> 00:20:35,170 WHAT IS THIS, A JOKE? WHAT ABOUT MY CAR? 449 00:20:35,210 --> 00:20:37,680 WE'RE REPLACING IT WITH A BRAND NEW FERRARI. 450 00:20:37,710 --> 00:20:40,540 WALK, IDIOT. COME ON. 451 00:20:50,660 --> 00:20:54,170 DETECTIVE SORENSON, PHONE CALL FOR YOU. 452 00:20:58,000 --> 00:20:59,300 SORENSON. 453 00:20:59,330 --> 00:21:02,200 GOT ANTI‐CRIME NURSE MEETING THIS FORDHAM. 454 00:21:02,230 --> 00:21:03,930 RIGHT, OKAY. ANDY, DO YOU MIND 455 00:21:03,970 --> 00:21:06,030 IF WE SIT ON THIS GUY TILL AFTER LUNCH? 456 00:21:06,070 --> 00:21:08,370 I GOT SOMEPLACE TO BE. 457 00:21:08,410 --> 00:21:10,180 NO, IT'S GOOD TIMING. 458 00:21:10,210 --> 00:21:13,940 I GOT TO GO SEE AN APARTMENT KATIE PICKED OUT. 459 00:21:13,980 --> 00:21:17,510 PUT A DEPOSIT DOWN WITHOUT MY SEEING THE PLACE. 460 00:21:17,550 --> 00:21:19,180 BACK IN AN HOUR. 461 00:21:28,760 --> 00:21:30,590 I'M ON THE AIR. 462 00:21:39,500 --> 00:21:40,470 HI. 463 00:21:40,500 --> 00:21:41,500 HEY. 464 00:22:05,730 --> 00:22:07,760 MEDIUM WELL WITH SHARP CHEDDAR. 465 00:22:07,800 --> 00:22:10,100 YEAH. GREAT. 466 00:22:10,130 --> 00:22:11,830 JOEY AND ED ARE REALLY BEEFING UP THE KITCHEN ‐‐ 467 00:22:11,870 --> 00:22:13,770 NEW FRYER, NEW BROILER, 468 00:22:13,810 --> 00:22:15,610 EVEN TALKING ABOUT A ROTISSERIE. 469 00:22:15,640 --> 00:22:17,440 HEY, BRING IN THE FREE RANGE SET. 470 00:22:17,480 --> 00:22:19,180 THEY'RE TRYING TO MAKE THIS A REAL LUNCH SPOT. 471 00:22:19,210 --> 00:22:20,380 IT'LL BE GREAT FOR ME. 472 00:22:20,410 --> 00:22:22,110 BIG TIPS WAITING DURING THE DAY, 473 00:22:22,150 --> 00:22:24,120 BIGGER TIPS DANCING AT NIGHT. 474 00:22:24,150 --> 00:22:27,150 I HATE TO BREAK THIS UP, BUT A HUNGRY DUO JUST WALKED IN. 475 00:22:29,090 --> 00:22:31,060 I'LL BE BACK. 476 00:22:31,090 --> 00:22:32,590 YOU MIND? 477 00:22:32,620 --> 00:22:33,590 YOUR CLUB. 478 00:22:33,630 --> 00:22:35,600 I'M IMPRESSED TO SEE YOU UPRIGHT. 479 00:22:35,630 --> 00:22:37,570 YOU'RE A MAN THAT CAN HANDLE HIS SCOTCH. 480 00:22:37,600 --> 00:22:39,970 IT WAS HANDLING ME PRETTY GOOD THIS MORNING. 481 00:22:40,000 --> 00:22:41,600 YEAH, I KNOW THAT FEELING. 482 00:22:41,630 --> 00:22:43,300 SO, KRISTEN MENTIONED I WAS LOOKING 483 00:22:43,330 --> 00:22:44,570 TO HAVE A CONVERSATION? 484 00:22:44,600 --> 00:22:46,300 YEAH, SHE SAID YOU AND ED WANTED TO TALK. 485 00:22:46,340 --> 00:22:47,780 GOOD. I WAS HOPING SHE WOULD. 486 00:22:47,810 --> 00:22:48,780 HEY, PETE, BRING ME 487 00:22:48,810 --> 00:22:50,620 ONE OF THOSE PALE ALES IN A CHILLED MUG. 488 00:22:50,640 --> 00:22:52,440 GOT TO GRAB IT FROM THE BACK. 489 00:22:52,480 --> 00:22:53,550 RIGHT. 490 00:22:53,580 --> 00:22:54,880 SO I GOT A FAVOR TO ASK. 491 00:22:54,910 --> 00:22:57,210 SAY NO, AND I'LL DROP IT, BUT PETE'S GOT CONCERNS. 492 00:22:57,250 --> 00:22:59,620 HE'S SUCH A STAND‐UP GUY. I GOT TO TRY HELP HIM OUT. 493 00:22:59,650 --> 00:23:01,120 SHOOT. 494 00:23:01,150 --> 00:23:03,080 HE NEEDS A PASSPORT, BECAUSE HE WANTS 495 00:23:03,120 --> 00:23:04,390 TO TAKE HIS WIFE TO SEE FAMILY IN DUBLIN. 496 00:23:04,420 --> 00:23:05,590 THE PROBLEM IS, HE'S A LITTLE AFRAID 497 00:23:05,620 --> 00:23:06,890 OF STEPPING FOOT IN A GOVERNMENT OFFICE. 498 00:23:06,930 --> 00:23:08,330 HE'S GOT A WARRANT ON HIM? 499 00:23:08,360 --> 00:23:09,660 HE SAYS THERE'S NO REASON HE SHOULD. 500 00:23:09,690 --> 00:23:11,090 HE'S CLEAN FIVE YEARS, BUT HE'S SPOOKED 501 00:23:11,130 --> 00:23:12,760 SOMETHING MIGHT HAVE SLIPPED THROUGH THE CRACKS. 502 00:23:12,800 --> 00:23:14,010 HE DOESN'T KNOW I'M ASKING, 503 00:23:14,030 --> 00:23:15,260 BUT IF YOU COULD JUST CHECK INTO AS FAR AS A YES OR NO, 504 00:23:15,300 --> 00:23:16,460 WE'D BOTH BE IN YOUR DEBT. 505 00:23:16,500 --> 00:23:17,900 I'D LIKE TO HELP, JOEY, 506 00:23:17,940 --> 00:23:20,650 BUT THEY GOT RULES AGAINST THAT KIND OF THING. 507 00:23:20,670 --> 00:23:22,900 THEY ALSO GOT RULES AGAINST JAYWALKING, DANNY. 508 00:23:22,940 --> 00:23:24,340 PETE McNEIL, REMEMBER DANNY SORENSON? 509 00:23:24,380 --> 00:23:26,250 DON'T EVER TAKE A DIME FROM THIS MAN. YOU GOT IT? 510 00:23:26,280 --> 00:23:28,350 HE'S A PERSONAL FRIEND OF MINE. 511 00:23:28,380 --> 00:23:30,680 SURE THING, JOEY. GOOD TO SEE YOU. 512 00:23:30,720 --> 00:23:32,120 THINK ABOUT IT, HUH? 513 00:23:32,150 --> 00:23:34,420 BUT KEEP IT HUSH‐HUSH TO PETE. 514 00:23:34,450 --> 00:23:36,280 DON'T WANT TO EMBARRASS HIM. I GOT BILLS TO PAY. 515 00:23:36,320 --> 00:23:38,250 HERE'S HIS SOCIAL SECURITY NUMBER. I'LL SEE YOU SOON. 516 00:23:38,290 --> 00:23:40,790 YOU FORGOT YOUR BEER. 517 00:23:40,830 --> 00:23:44,340 NAH, THAT'S FOR YOU, PAL. CHEERS. 518 00:23:48,200 --> 00:23:49,630 NO, I'M RIGHT NEARBY. 519 00:23:49,670 --> 00:23:51,930 IT'S LIKE A DRIVER AND A 9‐IRON AWAY. 520 00:23:51,970 --> 00:23:52,930 20 MINUTES. 521 00:23:52,970 --> 00:23:53,940 OKAY. 522 00:23:53,970 --> 00:23:55,170 LOOK AT THIS CABINET. 523 00:23:55,210 --> 00:23:57,380 OH, IT JUST NEEDS A NEW HINGE. 524 00:23:57,410 --> 00:23:59,140 THIS PLACE HAS SOME MINOR BRUISES, MR. SIPOWICZ, 525 00:23:59,180 --> 00:24:00,950 BUT IT'S A COAT OF PAINT AND A SCREWDRIVER FROM GOLD. 526 00:24:00,980 --> 00:24:02,710 [ CELLULAR PHONE RINGS ] 527 00:24:02,750 --> 00:24:03,960 SILVERMAN. 528 00:24:03,980 --> 00:24:05,680 PUT HIM THROUGH. 529 00:24:05,720 --> 00:24:07,360 THERE'S NO DISHWASHER. 530 00:24:07,390 --> 00:24:08,490 ANCIENT STOVE. 531 00:24:08,520 --> 00:24:10,690 SO WE'LL PUT IN A DISHWASHER 532 00:24:10,720 --> 00:24:12,150 AND BUY A NEW STOVE. 533 00:24:12,190 --> 00:24:13,320 IN A RENTAL PLACE? 534 00:24:13,360 --> 00:24:15,300 A DEAL LIKE THIS, YOU MAKE CONCESSIONS. 535 00:24:15,330 --> 00:24:16,800 YOU SAID PERFECT. 536 00:24:16,830 --> 00:24:18,460 AS PERFECT AS ANYONE COULD REASONABLY EXPECT. 537 00:24:18,500 --> 00:24:20,470 IT'S A MIRACLE WE GOT THIS PLACE. 538 00:24:20,500 --> 00:24:22,830 THE LAST‐MINUTE RELOCATION AND A BREAK ON RENT, 539 00:24:22,870 --> 00:24:24,340 PLUS THE OWNER LIKES FAMILIES ‐‐ 540 00:24:24,370 --> 00:24:25,330 THIS IS A GREAT GET. 541 00:24:25,370 --> 00:24:26,970 FOLKS, I HATE TO RUSH, 542 00:24:27,010 --> 00:24:29,280 BUT I GOT TO SHOW ANOTHER PLACE. 543 00:24:31,080 --> 00:24:33,480 LOOK, I'M SORRY, KATIE, BUT THIS ISN'T GOING TO HAPPEN. 544 00:24:33,510 --> 00:24:35,410 WHAT, ANDY? WE NEED THE DEPOSIT BACK. 545 00:24:35,450 --> 00:24:36,660 PARDON ME? 546 00:24:36,680 --> 00:24:38,810 COULD I JUST ASK WHY YOU FEEL THIS WAY, ANDY? 547 00:24:38,850 --> 00:24:40,480 THE KITCHEN'S A WRECK, 548 00:24:40,520 --> 00:24:43,080 AND THERE'S NO TUB, ONLY SHOWERS, 549 00:24:43,120 --> 00:24:45,390 AND HOW MANY RESTAURANTS YOU GOT ON THIS BLOCK? 550 00:24:45,420 --> 00:24:46,590 THERE'S FOUR. 551 00:24:46,630 --> 00:24:48,830 MOST PEOPLE WOULD CONSIDER THAT A PLUS. 552 00:24:48,860 --> 00:24:50,390 MAYBE FOR DEAF PEOPLE 553 00:24:50,430 --> 00:24:51,930 OR PEOPLE THAT SLEEP WITH EARPLUGS, 554 00:24:51,960 --> 00:24:53,930 BUT I'M NOT LIVING STREET SIDE ON THE FIFTH FLOOR 555 00:24:53,970 --> 00:24:55,510 WITH SANITATION TRUCKS EMPTYING DUMPSTERS 556 00:24:55,530 --> 00:24:58,570 OF GARBAGE AND GLASS FOUR TIMES A NIGHT. 557 00:24:58,600 --> 00:25:00,270 ANDY, CALM DOWN. 558 00:25:00,300 --> 00:25:02,340 DID YOU NOT UNDERSTAND WHY I NEEDED TO SEE THE PLACE FIRST? 559 00:25:02,370 --> 00:25:03,840 IT'S SO WE WOULDN'T END UP WASTING TIME 560 00:25:03,880 --> 00:25:06,450 ON IMPRACTICAL PLACES THAT HAPPEN TO BE FLOODED WITH LIGHT. 561 00:25:06,480 --> 00:25:08,220 CAN WE STEP IN THE BACK A MINUTE? 562 00:25:08,250 --> 00:25:09,290 OH, FOR A VIEW 563 00:25:09,310 --> 00:25:10,610 OF THE WATER STAIN IN THE BEDROOM 564 00:25:10,650 --> 00:25:12,280 WHERE THE WINDOW'S PAINTED SHUT? 565 00:25:12,320 --> 00:25:13,930 YOU'RE GOING TO HAVE TO GIVE BACK HER CHECK. 566 00:25:13,950 --> 00:25:15,380 MR. SIPOWICZ, THE CHECK'S IN THE BANK. 567 00:25:15,420 --> 00:25:17,550 IT'S NOT REFUNDABLE. 568 00:25:17,590 --> 00:25:19,020 YOU GOT A REALTOR'S LICENSE, SILVERMAN? 569 00:25:19,060 --> 00:25:20,430 YES, I DO. 570 00:25:20,460 --> 00:25:21,460 YOU WANT TO KEEP IT, YOU GET ON YOUR LITTLE PHONE 571 00:25:21,490 --> 00:25:22,790 AND YOU CALL WHOEVER YOU NEED TO CALL 572 00:25:22,830 --> 00:25:24,200 AND GET THAT CHECK BACK OUT OF THE BANK 573 00:25:24,230 --> 00:25:25,530 OR DON'T, 574 00:25:25,560 --> 00:25:28,030 AND EVERY EX‐COP FRIEND OF MINE 575 00:25:28,070 --> 00:25:29,580 WHO WORKS INVESTIGATION ON REALTOR COMPLAINTS 576 00:25:29,600 --> 00:25:31,070 IS GOING TO BE UP YOUR ASS WITH A MICROSCOPE. 577 00:25:31,100 --> 00:25:32,570 YOU WANT THAT? 578 00:25:32,600 --> 00:25:34,800 ANDY. SILVERMAN, I ASKED A QUESTION, 579 00:25:34,840 --> 00:25:37,640 AND IT'S DETECTIVE SIPOWICZ. 580 00:25:37,680 --> 00:25:39,650 I'LL MAKE A CALL. 581 00:25:39,680 --> 00:25:40,680 GREAT. 582 00:25:43,680 --> 00:25:46,510 GET ME SUSIE AT THE BANK. 583 00:25:50,120 --> 00:25:54,590 DID PEOPLE STOP MUGGING OLD LADIES AND STUFF? 584 00:25:54,630 --> 00:25:57,000 'CAUSE THIS IS A LOT OF EFFORT FOR JUMPING A TURNSTILE. 585 00:25:57,030 --> 00:25:58,460 IT'S A VICTIMLESS CRIME. 586 00:25:58,500 --> 00:26:01,070 MAYBE YOU'RE HERE ON SOMETHING ELSE, JIM. 587 00:26:01,100 --> 00:26:02,560 HAVE YOU EVER BEEN TO 1501 7th STREET, 588 00:26:02,600 --> 00:26:04,000 NEAR AVENUE A? 589 00:26:04,040 --> 00:26:05,280 I DON'T KNOW. 590 00:26:05,300 --> 00:26:07,140 THAT'S NOT WHERE YOU SCORED DOPE 591 00:26:07,170 --> 00:26:08,340 FROM AQUELINO ESTRADA? 592 00:26:08,370 --> 00:26:09,940 I DON'T KNOW THE PLACE. 593 00:26:09,970 --> 00:26:11,310 YOU KNOW A GIRL NAMED NOELLE? 594 00:26:13,950 --> 00:26:15,450 SON OF A BITCH. 595 00:26:15,480 --> 00:26:17,480 YOU AWARE NEW YORK IS A DEATH PENALTY STATE? 596 00:26:17,520 --> 00:26:19,490 BUT THE CRIME'S GOT TO QUALIFY YOU FOR IT. 597 00:26:19,520 --> 00:26:21,190 THEY CALL IT SPECIAL CIRCUMSTANCES. 598 00:26:21,220 --> 00:26:22,420 LIKE WHACKING A GUY 599 00:26:22,450 --> 00:26:23,850 WHILE RIPPING HIM OFF FOR HIS DOPE. 600 00:26:23,890 --> 00:26:25,750 THAT'S MURDER IN THE COURSE OF A ROBBERY. 601 00:26:25,790 --> 00:26:26,760 THAT BITCH WHORE. 602 00:26:26,790 --> 00:26:28,320 YOU GIVE A STATEMENT OF REMORSE, 603 00:26:28,360 --> 00:26:29,990 YOU MIGHT BEAT THE DEATH PENALTY, 604 00:26:30,030 --> 00:26:32,130 OR YOU KEEP SAYING YOU DON'T KNOW THE BUILDING 605 00:26:32,160 --> 00:26:33,860 OR AQUELINO ESTRADA OR NOELLE OR BENJI 606 00:26:33,900 --> 00:26:35,860 AND WIPE YOURSELF OFF THE FACE OF THIS EARTH. 607 00:26:35,900 --> 00:26:38,270 THIS WAS NOT MY IDEA, ALL RIGHT? 608 00:26:38,300 --> 00:26:39,870 THAT STONE COLD BLUE‐BALLER 609 00:26:39,900 --> 00:26:43,710 PROMISED ME MANY A TRIP AROUND THE MOON ON HER ASS 610 00:26:43,740 --> 00:26:44,940 IF I DID THIS FOR HER. 611 00:26:44,980 --> 00:26:47,120 HOW'D SHE APPROACH YOU ON THE ROBBERY? 612 00:26:47,150 --> 00:26:48,890 SHE WAGGED HER TAIL IN MY FACE, 613 00:26:48,910 --> 00:26:50,710 SAID THAT SHE HAD AN EASY SCORE, 614 00:26:50,750 --> 00:26:53,110 BUT SHE'D ONLY HAND IT OFF TO THE RIGHT GUY. 615 00:26:53,150 --> 00:26:55,620 WHAT MADE YOU THE RIGHT GUY? 616 00:26:55,650 --> 00:26:58,120 I GOT A GUN, BUT SHE SAID IT WAS 617 00:26:58,160 --> 00:26:59,570 MY CHARM AND GOOD LOOKS 618 00:26:59,590 --> 00:27:01,820 AND WHAT A PUNISHING HAMMER I AM IN THE SACK. 619 00:27:01,860 --> 00:27:03,560 THOUGHT SHE WAS BLUE‐BALLING YOU. 620 00:27:03,600 --> 00:27:05,070 SHE CONTROLLED YOU BY GIVING UP 621 00:27:05,100 --> 00:27:06,970 A CRUMB OF THE POUSSOIR HERE AND THERE, 622 00:27:07,000 --> 00:27:08,700 BUT YOU PAY FOR EVERY OUNCE. 623 00:27:08,730 --> 00:27:10,530 THAT MAKE YOU BITTER ENOUGH 624 00:27:10,570 --> 00:27:12,300 TO PUT HER IN THE MIDDLE OF A ROBBERY YOU PLANNED? 625 00:27:12,340 --> 00:27:16,250 I NEVER HEARD OF WHATEVER HIS NAME IS ‐‐ ESTRADA ‐‐ 626 00:27:16,270 --> 00:27:17,310 BEFORE NOELLE, 627 00:27:17,340 --> 00:27:19,580 AND I DEFINITELY HAD NO IDEA 628 00:27:19,610 --> 00:27:21,180 WHERE HE KEPT HIS STASH, 629 00:27:21,210 --> 00:27:23,650 WHICH SHE FOUND OUT BY BANGING HIM. 630 00:27:23,680 --> 00:27:25,980 WHERE'S BENJI FIT INTO THIS? 631 00:27:26,020 --> 00:27:27,830 HE'S TOTALLY IN LOVE WITH HER. 632 00:27:27,850 --> 00:27:30,590 SHE TREATS HIM LIKE DIRT ‐‐ THE STANDARD NOELLE. 633 00:27:30,620 --> 00:27:32,850 SHE SAID HER LAST NAME WAS JONES. SHE LYING? 634 00:27:32,890 --> 00:27:34,260 IT'S BURNETT. 635 00:27:34,290 --> 00:27:36,760 SHE LIVES ON BOWERY? 636 00:27:36,800 --> 00:27:38,040 STANTON. 637 00:27:38,060 --> 00:27:43,930 BIG‐TITTED, BLUE‐BALLING SACK OF LIES. 638 00:27:43,970 --> 00:27:46,670 GUESS YOU PICKED THE WRONG GIRL. 639 00:27:46,710 --> 00:27:48,980 [ KNOCK ON DOOR ] 640 00:27:52,540 --> 00:27:53,940 I THOUGHT YOU SHOULD KNOW 641 00:27:53,980 --> 00:27:56,280 ABOUT SOME DEVELOPMENTS AT THAT TAILFEATHERS CLUB. 642 00:27:56,310 --> 00:27:58,910 YOU GOT AN EAR IN THE PLACE? A STRIPPER THERE ‐‐ KRISTEN MOORE. 643 00:27:58,950 --> 00:28:00,280 THE GIRL WE WIRED UP. 644 00:28:00,320 --> 00:28:02,520 SHE SAID THE OWNERS WANTED A WORD WITH ME. 645 00:28:02,550 --> 00:28:05,290 IT TURNS OUT IT WAS TO RUN THEIR BARTENDER THROUGH BCI. 646 00:28:05,320 --> 00:28:07,420 I THINK THEY'RE TRYING TO TURN ME OUT. 647 00:28:07,460 --> 00:28:09,730 SOUNDS LIKE IT. WHY'D THEY WANT HIM RUN? 648 00:28:09,760 --> 00:28:11,090 GAVE A LAME EXCUSE. 649 00:28:11,130 --> 00:28:12,430 WHY YOU? 650 00:28:12,460 --> 00:28:14,000 DON'T KNOW. 651 00:28:15,330 --> 00:28:17,430 DID YOU SAY YOU'D DO IT? 652 00:28:17,470 --> 00:28:19,430 I SAID I'D THINK ABOUT IT. 653 00:28:19,470 --> 00:28:20,600 YOU KNOW, THAT PLACE IS HOOKED UP BIG‐TIME. 654 00:28:20,640 --> 00:28:21,800 I KNOW. 655 00:28:21,840 --> 00:28:24,410 ARE YOU PREPARED TO WORK THESE GUYS A WHILE, 656 00:28:24,440 --> 00:28:25,570 REALLY GET IN WITH THEM? 657 00:28:25,610 --> 00:28:26,780 YEAH. 658 00:28:26,810 --> 00:28:29,710 I'M GOING TO HAVE TO RUN THIS PAST A LOT OF PEOPLE, 659 00:28:29,750 --> 00:28:31,110 GET A LOT OF CLEARANCES. 660 00:28:31,150 --> 00:28:32,980 SHOULD I STAY OUT OF THERE TILL IT'S CLEARED? 661 00:28:33,020 --> 00:28:34,490 NO. GO AHEAD AND RUN THE BARTENDER 662 00:28:34,520 --> 00:28:36,050 AND FOLLOW THROUGH WITH THE OWNERS, 663 00:28:36,090 --> 00:28:38,000 BUT KEEP IT QUIET TILL YOU GET THE GREEN LIGHT. 664 00:28:38,020 --> 00:28:40,160 I'LL KEEP IT ENTIRELY TO MYSELF, 665 00:28:40,190 --> 00:28:41,920 ANDY INCLUDED. 666 00:28:41,960 --> 00:28:44,190 KEEP ME INFORMED. 667 00:29:04,880 --> 00:29:06,510 3. 668 00:29:06,550 --> 00:29:09,420 NUMBER 3 IS THE MAN THAT ATTACKED YOU THIS MORNING. 669 00:29:09,450 --> 00:29:13,320 AND ‐‐ AND KILLED MY HUSBAND. 670 00:29:15,130 --> 00:29:16,530 KEEP NUMBER 3. 671 00:29:28,040 --> 00:29:29,970 YOU KNOW WHAT HAPPENS NOW? 672 00:29:30,010 --> 00:29:31,970 I GOT NOTHING TO SAY. 673 00:29:32,010 --> 00:29:33,810 YOU WERE JUST PICKED OUT OF A LINEUP, BYRON, 674 00:29:33,850 --> 00:29:35,450 SO WE DON'T NEED YOU TO SAY ANYTHING. 675 00:29:35,480 --> 00:29:36,610 YEAH, THE FACT IS, 676 00:29:36,650 --> 00:29:37,780 WE DON'T WANT YOU TO SAY ANYTHING. 677 00:29:37,820 --> 00:29:39,320 YOU MIGHT EXPRESS REMORSE, AND WE'D RATHER 678 00:29:39,350 --> 00:29:40,720 YOU GO TO TRIAL THE PICTURE OF EVIL. 679 00:29:40,750 --> 00:29:43,020 THEN WHAT WE DOING HERE? 680 00:29:43,050 --> 00:29:45,820 YOU KNOW JONAS MOREHOUSE? JONAS MOREHOUSE DIDN'T BEAT YOU 681 00:29:45,860 --> 00:29:47,670 FOR A CERTAIN AMOUNT OF COCAINE? 682 00:29:47,690 --> 00:29:49,730 NOBODY BEATS ME FOR NOTHING. 683 00:29:49,760 --> 00:29:50,990 IS THAT WHAT YOU WERE PROVING 684 00:29:51,030 --> 00:29:52,330 IN HIS APARTMENT THIS MORNING, 685 00:29:52,360 --> 00:29:53,960 SHOWING JONAS EVEN THOUGH HE'S LOCKED UP, 686 00:29:54,000 --> 00:29:55,800 HIS PEOPLE ‐‐ THE PEOPLE STAYING IN HIS PLACE ‐‐ 687 00:29:55,830 --> 00:29:57,030 IF JONAS OWES, THEY OWE, TOO? 688 00:29:57,070 --> 00:29:59,070 IT'S GOT A CERTAIN LOGIC, DOESN'T IT, BYRON? 689 00:29:59,100 --> 00:30:00,540 YOU SEE, THE PROBLEM IS, 690 00:30:00,570 --> 00:30:02,470 THOSE PEOPLE HAD NOTHING TO DO WITH JONAS MOREHOUSE. 691 00:30:02,510 --> 00:30:03,880 YOU BROKE IN ON A LEGIT YOUNG COUPLE. 692 00:30:03,910 --> 00:30:05,140 [ CHUCKLES ] 693 00:30:05,180 --> 00:30:07,590 YOU KILL A MAN FOR NOTHING 694 00:30:07,610 --> 00:30:09,210 AND TORTURE A GIRL SO BAD SHE'LL NEVER BE THE SAME 695 00:30:09,250 --> 00:30:10,260 AND IT'S FUNNY? 696 00:30:10,280 --> 00:30:12,810 WHAT LEGIT FOLKS DOING UP IN THAT PLACE? 697 00:30:12,850 --> 00:30:14,220 NEW TENANTS. 698 00:30:14,250 --> 00:30:16,550 I OUGHT TO BEAT YOU LIKE YOU BEAT THAT GIRL. 699 00:30:16,590 --> 00:30:19,760 HEY, WHATEVER HAPPENED TO THEM, TOO BAD. 700 00:30:20,960 --> 00:30:23,060 YEAH, I'VE BEEN SHOT FOR NOTHING. 701 00:30:23,090 --> 00:30:25,330 BEEN DRAGGED IN AND BEEN BEATEN BY Y'ALL 702 00:30:25,360 --> 00:30:27,930 JUST FOR WALKING AROUND, BUT THINGS HAPPEN. 703 00:30:27,970 --> 00:30:29,110 SO IT'S OKAY? 704 00:30:29,130 --> 00:30:30,700 IT'S THE WAY IT GOES. 705 00:30:33,300 --> 00:30:35,440 DON'T SAY NOTHING ELSE, BYRON. 706 00:30:35,470 --> 00:30:38,440 YOU'RE PICTURE‐PERFECT RIGHT THERE. 707 00:30:55,460 --> 00:30:57,830 SIT DOWN, NOELLE. 708 00:30:59,600 --> 00:31:01,530 DO YOU MIND IF I SMOKE? YEAH, WE DO. 709 00:31:01,570 --> 00:31:03,880 THEN I'LL JUST TAKE ONE OUT OF THE PACK 710 00:31:03,900 --> 00:31:05,030 AND FIDDLE WITH IT. 711 00:31:05,070 --> 00:31:07,100 KEEPS MY HANDS BUSY. 712 00:31:07,140 --> 00:31:08,240 YOU KNOW A GUY NAMED AQUELINO ESTRADA? 713 00:31:08,270 --> 00:31:09,240 NO. 714 00:31:09,270 --> 00:31:10,540 HE WHO YOU'RE INVESTIGATING? 715 00:31:10,580 --> 00:31:12,620 AQUELINO ESTRADA NEVER SOLD YOU DRUGS? 716 00:31:12,640 --> 00:31:13,780 NO, SIR. 717 00:31:13,810 --> 00:31:16,440 YOU'VE NEVER BEEN TO HIS PLACE ON 7th STREET? 718 00:31:16,480 --> 00:31:18,580 NO, MA'AM. YOU KNOW ANYTHING ABOUT HIM 719 00:31:18,620 --> 00:31:19,960 AND A PARTNER GETTING MURDERED THIS MORNING? 720 00:31:19,980 --> 00:31:21,250 WOULD IT SURPRISE YOU 721 00:31:21,290 --> 00:31:23,430 TO KNOW WE HAVE INFORMATION TO THE CONTRARY? 722 00:31:23,450 --> 00:31:25,620 SPECIFICALLY, THAT YOU ENGINEERED A ROBBERY 723 00:31:25,660 --> 00:31:27,930 THAT TURNED INTO A DOUBLE HOMICIDE. 724 00:31:27,960 --> 00:31:29,290 PROBLEM IS, UNLESS YOU CONFIRM 725 00:31:29,330 --> 00:31:31,100 THE KILLINGS WEREN'T IN THE ORIGINAL PLAN, 726 00:31:31,130 --> 00:31:32,260 WE HAVE TO TELL THE D. A. 727 00:31:32,300 --> 00:31:34,010 THAT YOU PLANNED THEM FROM THE JUMP. 728 00:31:34,030 --> 00:31:36,900 OKAY, OKAY. TIME OUT. 729 00:31:36,940 --> 00:31:38,840 WHAT ARE YOU TALKING ABOUT? 730 00:31:38,870 --> 00:31:42,600 DID YOU HEAR ME? SORRY. FORCE OF HABIT. 731 00:31:42,640 --> 00:31:44,570 DOES THE NAME JIM FORDHAM MEAN ANYTHING TO YOU, 732 00:31:44,610 --> 00:31:46,740 OR BENJI WALLACE? 733 00:31:46,780 --> 00:31:47,940 OH, MY GOD. 734 00:31:47,980 --> 00:31:50,180 ARE YOU SAYING THAT JIM AND BENJI KILLED SOMEONE? 735 00:31:50,210 --> 00:31:52,180 GIVE A STATEMENT HOW THIS WENT BAD 736 00:31:52,220 --> 00:31:54,530 AND YOU COULD BE LOOKING AT A SWEET DEAL. 737 00:31:54,550 --> 00:31:55,680 I CAN'T BELIEVE THIS. 738 00:31:55,720 --> 00:31:57,190 IT'S A REAL TRAGEDY. 739 00:31:57,220 --> 00:31:58,790 TELL US WHAT THE ORIGINAL PLAN WAS. 740 00:31:58,820 --> 00:32:00,960 I HAVE NO IDEA WHAT THE ORIGINAL PLAN WAS. 741 00:32:00,990 --> 00:32:02,160 TALK TO JIM AND BENJI. 742 00:32:02,190 --> 00:32:03,660 AND THEY SAID TALK TO YOU. 743 00:32:03,700 --> 00:32:06,140 AND YOU TOOK THE WORD OF JIM THE LIMPING JUNKIE 744 00:32:06,160 --> 00:32:07,330 AND BENJI THE RETARD. 745 00:32:07,370 --> 00:32:08,970 THEY'RE PUTTING YOU IN THE MIDDLE, NOELLE. 746 00:32:09,000 --> 00:32:10,470 GIVE US A LITTLE MORE THAN INSULTS. 747 00:32:10,500 --> 00:32:12,130 WAS I AWARE OF THE POSSIBILITY 748 00:32:12,170 --> 00:32:13,770 THEY'D RIP OFF AQUELINO? YES. 749 00:32:13,810 --> 00:32:15,610 BUT I WAS ALSO AWARE OF THEIR PLANS 750 00:32:15,640 --> 00:32:17,670 TO BOOST A CAR FROM A PORSCHE DEALERSHIP 751 00:32:17,710 --> 00:32:19,840 AND RIP OFF THAT PEQUOT CASINO IN CONNECTICUT. 752 00:32:19,880 --> 00:32:21,540 THEY'VE GOT 1,000 BIG PLANS, 753 00:32:21,580 --> 00:32:24,180 BUT I NEVER IMAGINED THEY'D GO THROUGH WITH ONE. 754 00:32:24,220 --> 00:32:26,460 WHAT'D THEY MENTION ABOUT THIS ONE SPECIFICALLY? 755 00:32:26,480 --> 00:32:27,950 JUST THAT THEY WERE GOING TO DO IT SOMEDAY 756 00:32:27,990 --> 00:32:29,530 AND THEY COULD PROBABLY DO IT IN UNDER TWO MINUTES. 757 00:32:29,550 --> 00:32:31,350 WAS I SUPPOSED TO TAKE THAT SERIOUSLY? 758 00:32:31,390 --> 00:32:33,960 GUESS SO. 759 00:32:33,990 --> 00:32:36,390 PLEASE. 760 00:32:49,170 --> 00:32:51,070 UH... 761 00:32:51,110 --> 00:32:52,410 COFFEE, ANYONE? 762 00:32:52,440 --> 00:32:53,610 AHEM. 763 00:32:58,050 --> 00:33:00,520 THIS NOELLE WAS STRINGING THOSE GUYS BY THEIR JOHNSONS. 764 00:33:00,550 --> 00:33:02,020 YEAH? SHE GO FOR IT? 765 00:33:02,050 --> 00:33:03,450 NOT YET. 766 00:33:05,020 --> 00:33:06,720 YOUR LUNCH DATE WAS A DANCER FROM TAILFEATHERS. 767 00:33:06,760 --> 00:33:08,520 AM I RIGHT? SO WHAT? 768 00:33:08,560 --> 00:33:10,060 I'M NOT LOOKING TO GET IN YOUR FACE, DANNY. 769 00:33:10,090 --> 00:33:11,930 I'M JUST SEEING SIGNS OF WHAT YOU WENT THROUGH BEFORE, 770 00:33:11,960 --> 00:33:13,930 AND I'M TRYING TO LOOK OUT FOR YOU. 771 00:33:13,970 --> 00:33:16,840 I GOT IT COVERED, ANDY. I'M HERE IF YOU NEED ME. 772 00:33:16,870 --> 00:33:18,870 John: 15th SQUAD. 773 00:33:18,900 --> 00:33:20,370 NOW, YOU WANT TO HOP BACK IN THIS CASE? 774 00:33:20,400 --> 00:33:21,400 DETECTIVE SORENSON? 775 00:33:23,070 --> 00:33:24,810 SORENSON. 776 00:33:26,910 --> 00:33:28,210 OKAY. 777 00:33:28,250 --> 00:33:30,620 ALL RIGHT. 778 00:33:30,650 --> 00:33:31,980 THANKS. 779 00:33:38,620 --> 00:33:41,960 SO YOU'LL LOOK SHARP WHEN WE GO BACK AT NOELLE? 780 00:33:41,990 --> 00:33:45,560 I GOT TO GO, ANDY. SORRY. 781 00:33:55,970 --> 00:33:57,710 JIM FORDHAM'S WRAPPED UP. 782 00:33:57,740 --> 00:33:58,710 AND BENJI? 783 00:33:58,740 --> 00:34:00,610 READY FOR CENTRAL BOOKING. 784 00:34:00,650 --> 00:34:01,790 WHERE ARE YOU WITH NOELLE? 785 00:34:01,810 --> 00:34:05,250 HOPING YOU'D HAVE AN IDEA HOW TO PROCEED. 786 00:34:05,280 --> 00:34:06,410 SHE'S INVOLVED, NO QUESTION OF THAT. 787 00:34:06,450 --> 00:34:07,450 BUT NO CONFESSION. 788 00:34:07,490 --> 00:34:08,790 NAH, JUST WHAT JIM SAID, 789 00:34:08,820 --> 00:34:10,590 THAT IT WAS HER IDEA, HER PLAN. 790 00:34:10,620 --> 00:34:12,490 CAN'T CALL HER OFF THE STATEMENT OF A CO‐DEFENDANT. 791 00:34:12,520 --> 00:34:14,820 SHE CAN BE A WITNESS AGAINST THE OTHER TWO 792 00:34:14,860 --> 00:34:17,130 OFF RECEIVING A DECLARATION OF FURTHER INTENT, 793 00:34:17,160 --> 00:34:19,130 WHICH IS AN EXCEPTION TO THE HEARSAY RULE, 794 00:34:19,160 --> 00:34:20,760 BUT AS FAR AS LOCKING HER UP, 795 00:34:20,800 --> 00:34:22,600 GET HER CONFESSION OR SHE WALKS. 796 00:34:22,630 --> 00:34:26,100 WHY DON'T YOU SEE HOW YOU DO ALONE? 797 00:34:26,140 --> 00:34:27,710 MY HEAD'S NOT IN IT. 798 00:34:32,840 --> 00:34:34,280 HEY. I'M SORRY. 799 00:34:34,310 --> 00:34:35,280 THAT'S ALL RIGHT. 800 00:34:35,310 --> 00:34:36,980 NO STATEMENT FROM BYRON WADE? 801 00:34:37,020 --> 00:34:38,790 NO STATEMENT. 802 00:34:38,820 --> 00:34:39,990 THE COLLAR WILL STILL HOLD UP. 803 00:34:40,020 --> 00:34:41,150 WELL, IT BETTER, AND NO DEAL. 804 00:34:41,190 --> 00:34:42,630 HE GOES TO TRIAL. 805 00:34:42,650 --> 00:34:46,290 I'M SURE THAT'S HOW IT'LL GO. 806 00:34:46,320 --> 00:34:47,290 ARE YOU ALL RIGHT? 807 00:34:47,330 --> 00:34:49,940 IT'S A TOUGH CASE. 808 00:34:49,960 --> 00:34:52,190 I'M, UH, MAKING SPAGHETTI TONIGHT. 809 00:34:52,230 --> 00:34:54,530 COME OVER AND LET'S TALK ABOUT IT. 810 00:35:01,840 --> 00:35:04,070 [ DOOR OPENS ] 811 00:35:05,640 --> 00:35:07,980 LOSE THE SMOKE. 812 00:35:10,680 --> 00:35:12,380 JIM GAVE YOU UP. 813 00:35:12,420 --> 00:35:13,860 SO DID BENJI. 814 00:35:13,890 --> 00:35:15,560 AM I UNDER ARREST? 815 00:35:15,590 --> 00:35:18,030 I WANT TO GIVE YOU AN OPPORTUNITY 816 00:35:18,060 --> 00:35:19,700 TO HELP YOURSELF FIRST. 817 00:35:19,720 --> 00:35:21,860 AND HOW WOULD I HELP MYSELF? 818 00:35:21,890 --> 00:35:24,130 GIVE A STATEMENT HOW YOU COAXED BENJI AND JIM 819 00:35:24,160 --> 00:35:25,460 INTO RIPPING OFF AQUELINO. 820 00:35:25,500 --> 00:35:27,710 I'LL MAKE SURE THE D.A. KNOWS YOU COOPERATED. 821 00:35:27,730 --> 00:35:29,700 THANKS, BUT I DON'T THINK SO. 822 00:35:31,740 --> 00:35:33,880 YOU EVER SPENT TIME IN JAIL, NOELLE? 823 00:35:33,910 --> 00:35:35,010 HAVEN'T HAD THE PLEASURE. 824 00:35:35,040 --> 00:35:37,340 THOSE WHO HAVE DO WHAT THEY CAN TO AVOID IT. 825 00:35:37,380 --> 00:35:39,920 STATEMENT OF YOUR INVOLVEMENT MIGHT DO THAT FOR YOU. 826 00:35:39,940 --> 00:35:43,480 HOW ABOUT YOU EITHER ARREST ME OR LET ME LEAVE? 827 00:35:43,510 --> 00:35:45,250 WANT ME TO READ YOUR FUTURE, NOELLE? 828 00:35:45,280 --> 00:35:47,520 I'D RATHER YOU LET ME LEAVE. 829 00:35:47,550 --> 00:35:49,590 KEEP USING 5 MORE YEARS AND IT'LL AGE YOU 15. 830 00:35:49,620 --> 00:35:53,660 PRETTY SOON, THAT CUTE FACE WON'T HAVE ANY TEETH IN IT 831 00:35:53,690 --> 00:35:55,590 AND YOU'LL FIND YOURSELF GOING DOWN ON SOME DRUNK 832 00:35:55,630 --> 00:35:57,870 IN THE BACK OF A CAB AND REALIZE YOU'RE ALL‐AROUND ROTTEN ‐‐ 833 00:35:57,900 --> 00:35:59,400 NOT JUST ON THE INSIDE. 834 00:35:59,430 --> 00:36:00,400 THANKS, MOM. 835 00:36:00,430 --> 00:36:02,560 CAN I GO? 836 00:36:02,600 --> 00:36:03,930 YOU GOT AWAY WITH MURDER TODAY 837 00:36:03,970 --> 00:36:05,730 BECAUSE YOU CONNED A COUPLE OF POOR SAPS. 838 00:36:05,770 --> 00:36:07,570 MAYBE YOU'LL GET AWAY WITH IT AGAIN, 839 00:36:07,610 --> 00:36:09,250 BUT ONE DAY, YOU'RE GOING TO SLIP. 840 00:36:09,270 --> 00:36:11,270 HOPE I'M THERE WHEN IT HAPPENS. 841 00:36:11,310 --> 00:36:15,210 CAN I GO? 842 00:36:15,250 --> 00:36:19,290 BEAT IT. 843 00:36:36,300 --> 00:36:38,270 HEY, KIDDO. 844 00:36:38,300 --> 00:36:39,300 HI, DADDY. 845 00:36:39,340 --> 00:36:40,450 COLORING? 846 00:36:40,470 --> 00:36:43,200 PIKACHU, BUT I'M GETTING TIRED OF HIM. 847 00:36:43,240 --> 00:36:44,440 YEAH? 848 00:36:44,480 --> 00:36:45,720 TIME TO MOVE ON. 849 00:36:45,740 --> 00:36:47,440 WHERE'S YOUR AUNT KATIE? 850 00:36:47,480 --> 00:36:50,250 IN THE BEDROOM. SHE'S GOING ON A TRIP. 851 00:36:53,920 --> 00:36:57,250 YOU KEEP COLORING, THEO. I'LL BE OUT IN A MINUTE, 852 00:36:57,290 --> 00:36:59,620 AND WE'LL READ "CAT IN THE HAT." 853 00:36:59,660 --> 00:37:01,460 GOOD. 854 00:37:04,100 --> 00:37:06,500 I LIED TO THEO ABOUT A TRIP. 855 00:37:06,530 --> 00:37:08,100 I HATE LYING TO HIM, 856 00:37:08,130 --> 00:37:10,430 BUT I COULDN'T THINK OF A BETTER WAY. 857 00:37:10,470 --> 00:37:11,930 WHAT ARE YOU DOING? 858 00:37:11,970 --> 00:37:13,940 I'M LEAVING, ANDY, AND I CONSIDER 859 00:37:13,970 --> 00:37:15,600 OUR WEDDING PLANS TO BE OFF. 860 00:37:15,640 --> 00:37:17,610 I'M SORRY ABOUT THAT APARTMENT, KATIE. 861 00:37:17,640 --> 00:37:19,940 I APOLOGIZE. IT JUST WASN'T THE RIGHT PLACE. 862 00:37:19,980 --> 00:37:22,340 ANDY, I CAME TO A REALIZATION LEAVING THE BUILDING 863 00:37:22,380 --> 00:37:24,610 THAT IF THAT APARTMENT WASN'T THE RIGHT PLACE, 864 00:37:24,650 --> 00:37:25,780 THERE IS NO RIGHT PLACE. 865 00:37:25,820 --> 00:37:27,590 KATIE, YOU KNOW I'M RESISTANT TO CHANGE. 866 00:37:27,620 --> 00:37:29,280 HOW COULD YOU NOT KNOW IT WOULD BE A TRIAL 867 00:37:29,320 --> 00:37:31,290 FINDING A NEW PLACE? 868 00:37:31,320 --> 00:37:33,620 ARE YOU IN LOVE WITH ME, ANDY? 869 00:37:33,660 --> 00:37:36,960 IF YOU WERE, YOU WOULDN'T HAVE TO THINK ABOUT IT. 870 00:37:37,000 --> 00:37:40,010 I CARE FOR YOU DEEPLY, KATIE. YOU KNOW THAT. 871 00:37:40,030 --> 00:37:42,460 AND I CARE FOR YOU, AND WE BOTH CARE FOR THEO, 872 00:37:42,500 --> 00:37:44,630 BUT THAT'S NOT ENOUGH TO MAKE A FAMILY. 873 00:37:44,670 --> 00:37:46,600 I HAD A FANTASY THAT IT MIGHT BE, 874 00:37:46,640 --> 00:37:48,270 BUT WE'RE ALREADY BICKERING, 875 00:37:48,310 --> 00:37:49,950 AND YOU'VE ALREADY STARTED 876 00:37:49,970 --> 00:37:51,170 WITH THE "I'M SORRY"s. 877 00:37:51,210 --> 00:37:53,270 "I'M SORRY I STAYED OUT ALL NIGHT," 878 00:37:53,310 --> 00:37:55,440 "I'M SORRY I GOT DRUNK AND GOT ROUGH." 879 00:37:55,480 --> 00:37:57,810 THAT WAS THE PAST. IT'S NOT THE SAME NOW. 880 00:37:57,850 --> 00:38:00,350 BUT IT'S THE SAME PATTERN TAKING SHAPE. 881 00:38:00,380 --> 00:38:02,780 WE'LL BICKER, AND THEN YOU'LL START TO RESENT ME, 882 00:38:02,820 --> 00:38:05,320 AND THEN IN A SHORT TIME YOU'LL HATE ME. 883 00:38:11,060 --> 00:38:13,160 YOU'RE A GOOD MAN, ANDY. 884 00:38:15,100 --> 00:38:17,070 BUT... 885 00:38:17,100 --> 00:38:19,170 WE'RE NOT IN LOVE. 886 00:38:21,040 --> 00:38:24,670 YOU WERE VERY MUCH IN LOVE ONCE WITH SYLVIA. 887 00:38:24,710 --> 00:38:26,640 YOU NEVER BROUGHT HER UP TO ME. 888 00:38:26,680 --> 00:38:29,240 YOU NEVER BEMOAN THAT IF SHE WAS STILL ALIVE, 889 00:38:29,280 --> 00:38:30,680 YOU'D BE A HAPPY FAMILY. 890 00:38:30,720 --> 00:38:32,320 YOU JUST PUT IT BEHIND YOU 891 00:38:32,350 --> 00:38:33,880 AND CONCENTRATED ON THEO. 892 00:38:33,920 --> 00:38:36,250 HE NEEDED TAKING CARE OF. 893 00:38:36,290 --> 00:38:38,600 AND NOW IT'S TIME TO TAKE CARE OF YOU, ANDY. 894 00:38:38,620 --> 00:38:41,520 [ PAGER BEEPING ] 895 00:38:45,400 --> 00:38:46,940 [ BEEPING STOPS ] 896 00:38:46,970 --> 00:38:49,580 IT'S 911. I MAY HAVE TO GO OUT. 897 00:38:49,600 --> 00:38:51,800 I'LL STAY TILL YOU GET BACK. 898 00:38:55,910 --> 00:38:57,620 SO YOU KNOW, I TOLD THEO 899 00:38:57,640 --> 00:39:00,410 I'D BE AT A FRIEND'S IN MARYLAND FOR A WEEK. 900 00:39:00,440 --> 00:39:02,380 I'LL LEAVE IT TO YOU TO TELL HIM 901 00:39:02,410 --> 00:39:04,380 WHAT YOU THINK HE SHOULD KNOW. 902 00:39:04,420 --> 00:39:06,930 THANK YOU, KATIE. 903 00:39:22,570 --> 00:39:24,110 THANKS FOR THE CALL. 904 00:39:24,140 --> 00:39:26,080 HEY, NO PROBLEM, ANDY. 905 00:39:26,100 --> 00:39:27,470 THIS GUY HERE WAS HASSLING ONE OF THE DANCERS. 906 00:39:27,510 --> 00:39:29,720 SORENSON'S GOT A PRETTY GOOD LOAD ON, 907 00:39:29,740 --> 00:39:31,610 STEPS IN AND CLOCKS THE GUY. 908 00:39:31,640 --> 00:39:33,140 AFTER THE BOUNCERS THROW HIM OUT, HE CALLED 911. 909 00:39:33,180 --> 00:39:34,450 HE HURT? 910 00:39:34,480 --> 00:39:35,880 HE'S PISSED OFF MORE THAN ANYTHING. 911 00:39:35,910 --> 00:39:37,550 IF I CAN TALK HIM OUT OF IT, 912 00:39:37,580 --> 00:39:39,450 CAN YOU AVOID THE 61? 913 00:39:39,480 --> 00:39:40,620 NO PROBLEM. 914 00:39:40,650 --> 00:39:42,720 THANKS. HOW'S IT GOING? 915 00:39:42,750 --> 00:39:44,150 ANDY SIPOWICZ. 916 00:39:44,190 --> 00:39:46,890 LOOK, I'M TRYING TO SORT OUT WHAT HAPPENED HERE. 917 00:39:46,930 --> 00:39:48,270 THIS GUY'S MY NEPHEW. 918 00:39:48,290 --> 00:39:50,790 YEAH, WELL, HE JUST SLUGGED ME OUT OF NOWHERE. 919 00:39:50,830 --> 00:39:52,390 I DIDN'T DO ANYTHING. WELL, I'M GETTING HIM HOME, 920 00:39:52,430 --> 00:39:54,230 SO HE'S NOT GOING ANYWHERE TONIGHT. 921 00:39:54,270 --> 00:39:55,570 HE'S NOT GETTING ARRESTED? 922 00:39:55,600 --> 00:39:57,330 LOOK, I'M GOING TO ASK YOU A FAVOR. 923 00:39:57,370 --> 00:39:59,900 PUT IT BEHIND YOU AND HEAD SOMEPLACE ELSE, ALL RIGHT? 924 00:39:59,940 --> 00:40:02,000 THERE'S LOTS OF PLACES LIKE THIS AROUND HERE. 925 00:40:02,040 --> 00:40:04,010 DRINKS ARE ON ME. 926 00:40:04,040 --> 00:40:05,610 THE GUY SHOULD BE LOCKED UP. 927 00:40:05,640 --> 00:40:07,640 DON'T WORRY ABOUT IT. 928 00:40:07,680 --> 00:40:09,650 AFTER WHAT HE GETS FROM ME, HE'S GOING TO WISH HE WAS. 929 00:40:09,680 --> 00:40:10,980 WHAT DO YOU SAY, HUH? 930 00:40:11,020 --> 00:40:12,790 YEAH, WHATEVER. 931 00:40:12,820 --> 00:40:14,230 APPRECIATE IT. 932 00:40:17,560 --> 00:40:20,900 ALL RIGHT, LET'S GO, DANNY. COME ON. 933 00:40:23,160 --> 00:40:25,630 COME ON. COME ON, DANNY. 934 00:40:25,660 --> 00:40:27,460 I'LL CALL YOU, DANNY. 935 00:40:27,500 --> 00:40:28,460 YEAH. 936 00:40:28,500 --> 00:40:30,470 HE'S GOT TO WORK SOME THINGS OUT. 937 00:40:30,500 --> 00:40:33,500 IF HE WANTS, HE'LL CALL YOU. IN THE MEANTIME, LAY OFF. 938 00:40:35,640 --> 00:40:38,040 LET'S GET OUT OF HERE. 939 00:40:50,150 --> 00:40:51,890 [ SHOWER RUNNING ] 940 00:40:51,920 --> 00:40:53,820 ALL RIGHT, DRY OFF. 941 00:40:58,030 --> 00:41:00,900 [ TURNS WATER OFF ] 942 00:41:00,930 --> 00:41:02,430 I'LL MAKE COFFEE. 943 00:41:07,770 --> 00:41:11,240 YOU KNOW, WHEN DIANE AND I BROKE UP, 944 00:41:11,280 --> 00:41:14,650 IT WAS TOUGH, BUT I GOT THROUGH IT, 945 00:41:14,680 --> 00:41:16,880 PARTLY BECAUSE YOU WERE THERE 946 00:41:16,920 --> 00:41:20,430 AND PARTLY BECAUSE EVEN THOUGH WE WEREN'T TOGETHER, 947 00:41:20,450 --> 00:41:22,680 AT LEAST SHE WAS STILL THERE. 948 00:41:22,720 --> 00:41:27,060 THEN WHEN SHE JUST UP AND LEFT, 949 00:41:27,090 --> 00:41:29,060 I DON'T KNOW. 950 00:41:29,090 --> 00:41:31,090 I JUST FELT... 951 00:41:31,130 --> 00:41:32,690 ABANDONED. 952 00:41:32,730 --> 00:41:33,730 YEAH. 953 00:41:33,770 --> 00:41:36,440 YOU KNOW, LIKE I WAS 6 AGAIN, 954 00:41:36,470 --> 00:41:40,050 STANDING IN THE TERMINAL WITH MY MOM, 955 00:41:40,070 --> 00:41:43,370 TELLING ME KEEP CARE OF MY SISTERS 956 00:41:43,410 --> 00:41:45,550 BEFORE SHE SENT US AWAY, 957 00:41:45,580 --> 00:41:47,490 AND WE NEVER SAW HER AGAIN. 958 00:41:53,650 --> 00:41:56,120 I WAS SICK IN LOVE WITH DIANE, ANDY. 959 00:41:56,150 --> 00:41:59,820 I HAD TOO HIGH AN EXPECTATION. 960 00:42:01,960 --> 00:42:03,520 I GUESS I WANTED HER 961 00:42:03,560 --> 00:42:05,930 TO MAKE UP FOR MY MOM LEAVING. 962 00:42:05,960 --> 00:42:07,200 UNDERSTANDING ‐‐ 963 00:42:07,230 --> 00:42:09,730 THAT'S A GOOD STEP TOWARD GETTING BETTER, 964 00:42:09,770 --> 00:42:11,230 IF YOU WANT TO. 965 00:42:11,270 --> 00:42:13,430 ABSOLUTELY, I DO. 966 00:42:13,470 --> 00:42:15,940 YOU KNOW I'M HERE FOR YOU. 967 00:42:15,970 --> 00:42:19,740 I'LL STAY. WE CAN TALK ALL NIGHT IF YOU WANT. 968 00:42:19,780 --> 00:42:22,240 WHAT I WANT IS TO GET SOME SLEEP. 969 00:42:22,280 --> 00:42:24,750 I DON'T FEEL LIKE I'VE HAD A NIGHT'S PEACE 970 00:42:24,780 --> 00:42:26,580 SINCE I WAS A KID, 971 00:42:26,620 --> 00:42:29,590 BUT MAYBE TONIGHT I GOT A SHOT. 972 00:42:29,620 --> 00:42:31,450 HOW ABOUT I STAY ON THE COUCH? 973 00:42:31,490 --> 00:42:34,090 NO, ANDY, YOU GO HOME. YOU KNOW, BE WITH THEO. 974 00:42:34,130 --> 00:42:36,770 DON'T EVER LET HIM THINK YOU'RE NOT THERE. 975 00:42:51,810 --> 00:42:53,470 IT'LL BE ALL RIGHT, KID. 976 00:42:53,510 --> 00:42:56,110 IF YOU NEED ME, YOU KNOW WHERE I AM. 977 00:42:56,150 --> 00:42:59,290 YEAH, THANKS, ANDY, YOU KNOW, FOR EVERYTHING. 978 00:42:59,320 --> 00:43:00,460 GOOD NIGHT. 979 00:43:00,480 --> 00:43:01,650 NIGHT.